An Abridgment of Elements of Criticism |
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Page 133
... sound ; signification ; resemblance between sound and signification ; and the beauties of verse and prose . SECTION I - Beauty of Language with respect to Sound . This subject requires the following order : The sounds of the different ...
... sound ; signification ; resemblance between sound and signification ; and the beauties of verse and prose . SECTION I - Beauty of Language with respect to Sound . This subject requires the following order : The sounds of the different ...
Page 145
... Sound and Signification . This beauty has escaped none of our critical writers . There being frequently a strong resemblance of one sound to another , it will not be surprising to find an articulate sound resembling one that is not ...
... Sound and Signification . This beauty has escaped none of our critical writers . There being frequently a strong resemblance of one sound to another , it will not be surprising to find an articulate sound resembling one that is not ...
Page 146
... sound and sense is delightful : the reader is conscious not only of pleasure from the two climaxes separately , but of an additional pleasure from their concordance , and from finding the sense so justly imi- tated by the sound . The ...
... sound and sense is delightful : the reader is conscious not only of pleasure from the two climaxes separately , but of an additional pleasure from their concordance , and from finding the sense so justly imi- tated by the sound . The ...
Contents
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers