An Abridgment of Elements of Criticism |
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Page 126
... PARADISE LOST . - BOOK VIII . 273 Both have sinn'd ! but thou Against God only ; I , ' gainst God and thee ; And to the place of judgment will return . There with my cries importune Heaven , that all The sentence , from thy head remov'd ...
... PARADISE LOST . - BOOK VIII . 273 Both have sinn'd ! but thou Against God only ; I , ' gainst God and thee ; And to the place of judgment will return . There with my cries importune Heaven , that all The sentence , from thy head remov'd ...
Page 204
... PARADISE LOST . 2. An attribute of the effect expressed as an attri- bute of the cause : No wonder , fallen such a pernicious height . PARADISE LOST . 3. An effect expressed as an attribute of the cause : Jovial wine , Giddy brink ...
... PARADISE LOST . 2. An attribute of the effect expressed as an attri- bute of the cause : No wonder , fallen such a pernicious height . PARADISE LOST . 3. An effect expressed as an attribute of the cause : Jovial wine , Giddy brink ...
Page 240
... PARADISE LOST . - BOOK II . 1. 666 . Now storming fury rose , And clamor such as heard in heaven till now Was never arms on armor clashing bray'd Horrible discord , and the madding wheels Of brazen chariots rag'd ; dire was the noise Of ...
... PARADISE LOST . - BOOK II . 1. 666 . Now storming fury rose , And clamor such as heard in heaven till now Was never arms on armor clashing bray'd Horrible discord , and the madding wheels Of brazen chariots rag'd ; dire was the noise Of ...
Contents
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers