A Study of Hamlet |
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Page x
... appearance amongst us will stimulate that revived interest in Shakespeare's plays which has been such a marked feature of the last year . As far as regards the Hamlet of the three great actors I have named , I should say that Salvini's ...
... appearance amongst us will stimulate that revived interest in Shakespeare's plays which has been such a marked feature of the last year . As far as regards the Hamlet of the three great actors I have named , I should say that Salvini's ...
Page xiii
... appearance of the Ghost , 19 ; his meeting with the Ghost , 19-21 ; second soliloquy , 21 ; remarks on it , 22. Coleridge's idea of Hamlet's madness , 22. Time elapsing between 1st and 2nd Acts , 23 ; how Hamlet employed it , 23 ...
... appearance of the Ghost , 19 ; his meeting with the Ghost , 19-21 ; second soliloquy , 21 ; remarks on it , 22. Coleridge's idea of Hamlet's madness , 22. Time elapsing between 1st and 2nd Acts , 23 ; how Hamlet employed it , 23 ...
Page xiv
... Appearance of Ghost , 50-52 ; effectiveness of it , 52. Hamlet's eloquent appeal to his mother , 53. Hamlet's conduct to his mother discussed , 53-57 . The guilt incurred through killing Polonius , 55. Was the Queen guilty of connivance ...
... Appearance of Ghost , 50-52 ; effectiveness of it , 52. Hamlet's eloquent appeal to his mother , 53. Hamlet's conduct to his mother discussed , 53-57 . The guilt incurred through killing Polonius , 55. Was the Queen guilty of connivance ...
Page 16
... appearance betraying the utmost dejec- tion , the only mourner in the brilliant Court , at once arrests the attention . We cannot wonder at his melancholy when we consider the position in which he found himself . The news of his ...
... appearance betraying the utmost dejec- tion , the only mourner in the brilliant Court , at once arrests the attention . We cannot wonder at his melancholy when we consider the position in which he found himself . The news of his ...
Page 37
... appearance of the Ghost was in- tense , and the entire dramatic construction strikingly perfect ; quite as naturally , in this analysis of the workings of no ordinary mind and heart , are the steps and minute gradations of thought ...
... appearance of the Ghost was in- tense , and the entire dramatic construction strikingly perfect ; quite as naturally , in this analysis of the workings of no ordinary mind and heart , are the steps and minute gradations of thought ...
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Common terms and phrases
action actor Additional Notes affection agitation answer appear Appendix arras beautiful believe brother circumstances Claudius conceal conduct conscience Court Court of Denmark courtiers crime death deed Denmark doubt edition Edmund Kean England Ernesto Rossi evident excitement expression eyes fact father fear feel Fortinbras Gertrude Gervinus ghost give grief guilt Hamlet's character hand hath hear heart heaven honour Horatio indignation justify kill King and Queen King Claudius King Hamlet King's Laertes language less lines look lord Lord Chamberlain madness Marcellus means mind mother murder nature never noble once Ophelia Osric passage passion play players Polonius probably Quarto question rebuke remarkable revenge Rosencrantz and Guildenstern Salvini Saxo Grammaticus scene seems Shakespeare solemn soliloquy sorrow soul speaks speech spoken stage suspicion sweet tender thee thou thought tion tragedy treachery uncle utter vengeance villain Wittenburg words
Popular passages
Page 45 - In the corrupted currents of this world Offence's gilded hand may shove by justice, And oft 'tis seen the wicked prize itself Buys out the law; but 'tis not so above; There is no shuffling, there the action lies In his true nature, and we ourselves compell'd Even to the teeth and forehead of our faults To give in evidence.
Page 21 - Remember thee ! Yea, from the table of my memory I'll wipe away all trivial fond records, All saws of books, all forms, all pressures past, That youth and observation copied there ; And thy commandment all alone shall live Within the book and volume of my brain...
Page 72 - Of thinking too precisely on the event, A thought which quarter'd hath but one part wisdom, And ever three parts coward, I do not know Why yet I live to say 'This thing's to do'; Sith I have cause and will and strength and means To do 't.
Page 18 - tis an unweeded garden That grows to seed, things rank and gross in nature Possess it merely, that it should come to this, But two months dead, nay, not so much, not two, So excellent a king; that was to this Hyperion to a satyr, so loving to my mother, That he might not beteem the winds of heaven Visit her face too roughly— heaven and earth Must I remember? why, she would hang on him As if increase of appetite had grown By what it fed on, and yet within a month, Let me not think on 't; frailty...
Page 36 - A damn'd defeat was made. Am I a coward? Who calls me villain? breaks my pate across? Plucks off my beard and blows it in my face? Tweaks me by the nose? gives me the lie i' the throat, As deep as to the lungs?
Page 179 - Let four captains Bear Hamlet, like a soldier, to the stage ; For he was likely, had he been put on, To have prov'd most royally : and, for his passage, The soldiers' music, and the rites of war, Speak loudly for him.
Page 132 - For nature, crescent, does not grow alone In thews and bulk, but, as this temple waxes, The inward service of the mind and soul Grows wide withal.
Page 36 - Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit ? And all for nothing ! For Hecuba ! What's Hecuba to him, or he to Hecuba," That he should weep for her...
Page 25 - Then goes he to the length of all his arm, And with his other hand thus o'er his brow, He falls to such perusal of my face As he would draw it. Long...
Page 102 - But I am very sorry, good Horatio, That to Laertes I forgot myself; For by the image of my cause I see The portraiture of his: I'll court his favours: But, sure, the bravery of his grief did put me Into a towering passion.