Interactivation: Towards an E-cology of People, Our Technological Environment, and the Arts

actuators applied approach architecture articulatory feedback artists audience auditory Bauhaus Bill Buxton Bluetooth Bongers camera combination communication described in Chapter Design Space developed display e-cology electrical electronic arts electronic ecology electronic music electronic musical instruments elements example experiments explore framework frequency functions further Glove hand haptic feedback human Human-Computer Interaction images input devices instance instrumentlets interaction appliances Interaction Space interaction styles interactivated IRCAM issues J.J. Gibson keyboard laser laser pointer Logitech loudspeaker manipulation mapping Max/MSP mechanical Meta-Orchestra Michel Waisvisz MIDI mouse movement multimodal interaction musical instruments musicians overview palette paradigm parameters participants performance physical interfaces PIDS pixels play player Power Glove projector Protospace role screen sense of touch sensitivity sensors Sonology spatial switch tactile tactual feedback technological environment textures trackball ubiquitous computing Video-Organ Virtools virtual visual