Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionCriticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Page 110
... tell , I shrew my catt , To myne vnderstondynge . B. By my fayth no more can I But this she said here opynly , All these folke can tell . A. How say ye gode women , is it your gyse To chose all your husbondis that wyse ? By my trought ...
... tell , I shrew my catt , To myne vnderstondynge . B. By my fayth no more can I But this she said here opynly , All these folke can tell . A. How say ye gode women , is it your gyse To chose all your husbondis that wyse ? By my trought ...
Page 122
... tell you true . No , No , ye will not know me now ; The mighty on the earth I do subdue . Tush , if you will give me leave , I'll tell ye how ; ... ( Dod . , III , 267 ) The narrative structure of the Vice's speech here approaches the ...
... tell you true . No , No , ye will not know me now ; The mighty on the earth I do subdue . Tush , if you will give me leave , I'll tell ye how ; ... ( Dod . , III , 267 ) The narrative structure of the Vice's speech here approaches the ...
Page 288
... Tell - Trothes New - Yeares Gift , ed . F. J. Furnivall ( London , 1876 ) , p . 3 . The extent to which the appearance of Robin Goodfellow could arouse the expectations of an audience is evident in the opening sentence of this work ...
... Tell - Trothes New - Yeares Gift , ed . F. J. Furnivall ( London , 1876 ) , p . 3 . The extent to which the appearance of Robin Goodfellow could arouse the expectations of an audience is evident in the opening sentence of this work ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann No preview available - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann No preview available - 1987 |
Common terms and phrases
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York