Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionCriticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Page 94
... Horne tries to stop him . Like the First Shepherd's " bob of cherys " in the Secunda Pastorum or the red cherries ... Horne's argument on Christmas eve when he reports that the sheep are grazing knee - deep in grass ( 189 ) . Like the ...
... Horne tries to stop him . Like the First Shepherd's " bob of cherys " in the Secunda Pastorum or the red cherries ... Horne's argument on Christmas eve when he reports that the sheep are grazing knee - deep in grass ( 189 ) . Like the ...
Page 240
... Horne Pipes and Funeralls ” the clowns continue to do precisely what Sidney feared they would : “ they stirre laughter in sinfull things . " 62 Their impact on the main action is , from the point of view of ideology , of such a quality ...
... Horne Pipes and Funeralls ” the clowns continue to do precisely what Sidney feared they would : “ they stirre laughter in sinfull things . " 62 Their impact on the main action is , from the point of view of ideology , of such a quality ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann No preview available - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann No preview available - 1987 |
Common terms and phrases
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York