Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionCriticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Page 40
... heard , the ear of man hath not seen , man's hand is not able to taste , his tongue to conceive , nor his heart to report , what my dream was " ( Midsummer Night's Dream IV , 1 , 110-14 ) . The mode of in- version here makes possible a ...
... heard , the ear of man hath not seen , man's hand is not able to taste , his tongue to conceive , nor his heart to report , what my dream was " ( Midsummer Night's Dream IV , 1 , 110-14 ) . The mode of in- version here makes possible a ...
Page 131
... Vice , Hamlet's reply is heard and even understood by those who move on the level of the purely representational loca . Partners in dialogue , Hamlet and Rosencrantz are both part of one dramatic action , FROM NONSENSE TO DIALOGUE 131.
... Vice , Hamlet's reply is heard and even understood by those who move on the level of the purely representational loca . Partners in dialogue , Hamlet and Rosencrantz are both part of one dramatic action , FROM NONSENSE TO DIALOGUE 131.
Page 199
... heard others praise , and that highly - not to speak it profanely , that , neither having th ' accent of Christians , nor the gait of Christian , pagan , nor man , have so strutted and bellowed that I have thought some of Nature's ...
... heard others praise , and that highly - not to speak it profanely , that , neither having th ' accent of Christians , nor the gait of Christian , pagan , nor man , have so strutted and bellowed that I have thought some of Nature's ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann No preview available - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann No preview available - 1987 |
Common terms and phrases
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York