Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionCriticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Page 9
... door . I did not listen . But if you want that no one should hear you You should not trust the sky with your troubles so loudly and freely , 12 As the scene achieved a more representational quality , the actor began to submit to new ...
... door . I did not listen . But if you want that no one should hear you You should not trust the sky with your troubles so loudly and freely , 12 As the scene achieved a more representational quality , the actor began to submit to new ...
Page 102
... doors in the tiring - house facade of the Swan stage . A more detailed comparison of these rear doors reveals many similarities , including the gallery which can be seen both in the Swan drawing and above the screen doors of the Tudor ...
... doors in the tiring - house facade of the Swan stage . A more detailed comparison of these rear doors reveals many similarities , including the gallery which can be seen both in the Swan drawing and above the screen doors of the Tudor ...
Page 131
... door upon your own liberty , if you deny your griefs to your friend . Hamlet . Sir , I lack advancement . Rosencrantz . How can that be , when you have the voice of the King himself for your succession in Denmark ? Ay , sir , but ...
... door upon your own liberty , if you deny your griefs to your friend . Hamlet . Sir , I lack advancement . Rosencrantz . How can that be , when you have the voice of the King himself for your succession in Denmark ? Ay , sir , but ...
Other editions - View all
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann No preview available - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann No preview available - 1987 |
Common terms and phrases
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York