Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionCriticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
From inside the book
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Page 119
... already at least partially integrated within the mimetic assumptions of dramatic dialogue . Myscheff's language sup- ports the atmosphere of " mery chere " at the same time that it counter- points ( and blatantly challenges ) the ...
... already at least partially integrated within the mimetic assumptions of dramatic dialogue . Myscheff's language sup- ports the atmosphere of " mery chere " at the same time that it counter- points ( and blatantly challenges ) the ...
Page 157
... already removed a step from the Psychomachia as a result of his manipulation of it , achieves an even greater distance from the al- legorical convention through his role as conférencier and chorus . In so standing between the text of ...
... already removed a step from the Psychomachia as a result of his manipulation of it , achieves an even greater distance from the al- legorical convention through his role as conférencier and chorus . In so standing between the text of ...
Page 191
... already being denounced freely . Even when the popular tradition was well - received in the Elizabethan theater , that is , long before the admirers of Beaumont and Fletcher dissociated themselves from the pantaloon wit of the wandering ...
... already being denounced freely . Even when the popular tradition was well - received in the Elizabethan theater , that is , long before the admirers of Beaumont and Fletcher dissociated themselves from the pantaloon wit of the wandering ...
Other editions - View all
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann No preview available - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann No preview available - 1987 |
Common terms and phrases
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York