Auto-poetica: Representations of the Creative Process in Nineteenth-century British and American FictionDarby Lewes The nineteenth-century Kunstlerroman self-consciously addresses the devices of fiction and in doing so, tends toward irony and self-reflection, and prefigures postmodernism. A work of art written about an artist creating a work of art is, in a sense, a novel in which the author is a character. The essays in this collection examine the work of major nineteenth century authors that attempted to merge fiction and reality into a unified whole. These novels paved the way for postmodernists who would use the artist-novel to self-conciously focus on the genre's particular conventions, to parody those conventions in order to accentuate the work's fictionality, and to expose the oppositions between fiction and reality. This collection thus reveals not only material concerns, but the underlying anxieties, drives, and joys, which are so profoundly linked to the creative process." |
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Page xi
... expressing what he thinks and feels , and especially those thoughts and feelings which , by his own choice , or from the structure of his own mind , arise in him without immediate external excitement " ( 164 ) . Percy Shel- ley ...
... expressing what he thinks and feels , and especially those thoughts and feelings which , by his own choice , or from the structure of his own mind , arise in him without immediate external excitement " ( 164 ) . Percy Shel- ley ...
Page xiv
... expression of intensely personal feel- ings , and seems ( in Dipsychus and The Spirit ) to come to the conclusion that such " therapeutic " poetry is a kind of " waste product " of the mind of limited value to other people . The Sibling ...
... expression of intensely personal feel- ings , and seems ( in Dipsychus and The Spirit ) to come to the conclusion that such " therapeutic " poetry is a kind of " waste product " of the mind of limited value to other people . The Sibling ...
Page xvi
... expression " ) . Without that skill , she is effectively mute . One final female artist novel study is particularly fascinating , given its inter- section with art , gender and race : Thomas Pick's xvi Introduction : A Portrait of the ...
... expression " ) . Without that skill , she is effectively mute . One final female artist novel study is particularly fascinating , given its inter- section with art , gender and race : Thomas Pick's xvi Introduction : A Portrait of the ...
Page 60
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Page 68
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Contents
V | 1 |
VII | 13 |
IX | 37 |
X | 51 |
XII | 63 |
XIII | 65 |
XIV | 73 |
XV | 91 |
XX | 139 |
XXI | 151 |
XXII | 163 |
XXIII | 173 |
XXIV | 175 |
XXV | 185 |
XXVI | 193 |
XXVII | 201 |
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aesthetic Alcott altar amateur American argues artist heroine Austen Autobiography Avis Avis's become Bohemia Braddon's Brontë century characters Charlotte Brontë Chillingworth Clough Cornelia create creative process critics cultural Daniel Deronda depicts Derrick Dimmesdale domestic Eliot Emma Emma's essay experience feeling female artist feminine feminist Frank Churchill gender girl Harriet Hawthorne Hawthorne's Herman Melville Hester imagination inspiration Isabel James Jane Jane Austen Katherine Knightley Künstlerroman Lady Legends literary literature Little Women lives Louisa May Alcott Lyall male Marius the Epicurean marriage masculine Melville Mirah moral muse narrative narrator Nathaniel Hawthorne nineteenth-century novel novelist Oxford painting paper fictions Pater's Pierre plot poem poet poetic poetry portrait protest Province House Psyche Psyche's Art reader reading representation role Scarlet Letter sensation Showalter Sigismund Smith social Sonnets spasmodic spasmodic poet speculation Sphinx spiritual story Stransom suggests tion Victorian woman artist women writers writing York young