Auto-poetica: Representations of the Creative Process in Nineteenth-century British and American FictionDarby Lewes The nineteenth-century Kunstlerroman self-consciously addresses the devices of fiction and in doing so, tends toward irony and self-reflection, and prefigures postmodernism. A work of art written about an artist creating a work of art is, in a sense, a novel in which the author is a character. The essays in this collection examine the work of major nineteenth century authors that attempted to merge fiction and reality into a unified whole. These novels paved the way for postmodernists who would use the artist-novel to self-conciously focus on the genre's particular conventions, to parody those conventions in order to accentuate the work's fictionality, and to expose the oppositions between fiction and reality. This collection thus reveals not only material concerns, but the underlying anxieties, drives, and joys, which are so profoundly linked to the creative process." |
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Page vii
... Hawthorne's Legends of the Province House Scott Ellis 39 39 4 Elizabeth Stuart Phelps and the American Sphinx : Commercial Orien- talism in The Story of Avis Jeffrey Cass Part II Gender and the Künstlerroman . Oppression and Liberation ...
... Hawthorne's Legends of the Province House Scott Ellis 39 39 4 Elizabeth Stuart Phelps and the American Sphinx : Commercial Orien- talism in The Story of Avis Jeffrey Cass Part II Gender and the Künstlerroman . Oppression and Liberation ...
Page xii
... Hawthorne's Legends of the Province House , " Scott Ellis demonstrates how Hawthorne details the process of literary creation during an era of economic uncertainty in order to demonstrate that the work of the author and the expectation ...
... Hawthorne's Legends of the Province House , " Scott Ellis demonstrates how Hawthorne details the process of literary creation during an era of economic uncertainty in order to demonstrate that the work of the author and the expectation ...
Page xiv
... Hawthorne and his protagonists . Lewes argues that Hawthorne's own writer's block is simultaneously echoed and resolved in the crea- tion of Dimmesdale's Election sermon , and that the production of the sermon completes his emergence as ...
... Hawthorne and his protagonists . Lewes argues that Hawthorne's own writer's block is simultaneously echoed and resolved in the crea- tion of Dimmesdale's Election sermon , and that the production of the sermon completes his emergence as ...
Page 12
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Page 39
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Contents
V | 1 |
VII | 13 |
IX | 37 |
X | 51 |
XII | 63 |
XIII | 65 |
XIV | 73 |
XV | 91 |
XX | 139 |
XXI | 151 |
XXII | 163 |
XXIII | 173 |
XXIV | 175 |
XXV | 185 |
XXVI | 193 |
XXVII | 201 |
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aesthetic Alcott altar amateur American argues artist heroine Austen Autobiography Avis Avis's become Bohemia Braddon's Brontë century characters Charlotte Brontë Chillingworth Clough Cornelia create creative process critics cultural Daniel Deronda depicts Derrick Dimmesdale domestic Eliot Emma Emma's essay experience feeling female artist feminine feminist Frank Churchill gender girl Harriet Hawthorne Hawthorne's Herman Melville Hester imagination inspiration Isabel James Jane Jane Austen Katherine Knightley Künstlerroman Lady Legends literary literature Little Women lives Louisa May Alcott Lyall male Marius the Epicurean marriage masculine Melville Mirah moral muse narrative narrator Nathaniel Hawthorne nineteenth-century novel novelist Oxford painting paper fictions Pater's Pierre plot poem poet poetic poetry portrait protest Province House Psyche Psyche's Art reader reading representation role Scarlet Letter sensation Showalter Sigismund Smith social Sonnets spasmodic spasmodic poet speculation Sphinx spiritual story Stransom suggests tion Victorian woman artist women writers writing York young