Broken Boundaries: Women & Feminism in Restoration Drama

actress Almahide Almanzor Almeria Angellica Anne Bracegirdle antifeminism Aphra Behn Appamia argues aristocratic Astell audience authority Bacon Bassima Behn's body carnival Cavalier century Congreve Congreve's construction conventional Country Wife critique cultural desire discourse dominant Dryden Eighteenth-Century English erotic essay ethnic difference female characters female subjectivity feminine feminist feminized fiction final Florinda Gayman gender Gramont Hellena heroine Homais homosocial husband identity ideology images John John Dryden Lady Fulbank Lamira libertine London lover male characters Manley Manley's marriage marry Mary Pix masculine masculinist Millamant Millamant's Mirabell Mirabell's moral nature objectification onstage Osmyn Othello patriarchal patrilineal Pix's play play's playwrights political prostitute racial rape rapist Renaissance representation represents resistance Restoration comedy Restoration drama role Rover satire scene seduction seventeenth seventeenth-century sexual Shakespeare social spectator stage stereotypes Sullen theater theatrical thee tragedy Trotter Tyrannick Love violence virgin virtue virtuous Whig whore wife Willmore woman writing Wycherley York Zara