The Witness of Times: Manifestations of Ideology in Seventeenth Century EnglandKatherine Z. Keller, Gerald J. Schiffhorst A collection of eleven essays examining, through a variety of venues, the extent to which ideological representations interact with what is arguably the radical dialectic of the period: the increasing significance of power rather than authority as an ideological framework. |
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Page 83
... action of the masque proper . As Dollimore points out , Working in terms of the principle of contrariety , virtue ... action defines the assumptions of the main masque , not by inver- sion , but by similitude . The relationship of the ...
... action of the masque proper . As Dollimore points out , Working in terms of the principle of contrariety , virtue ... action defines the assumptions of the main masque , not by inver- sion , but by similitude . The relationship of the ...
Page 85
... action not by contrariety but by imitation , or repetition . The raucous caterwauling of the inebriates provides a striking contrast to Ariel's ethereal balladry , but the music punctuates the action of the subplot in precisely the same ...
... action not by contrariety but by imitation , or repetition . The raucous caterwauling of the inebriates provides a striking contrast to Ariel's ethereal balladry , but the music punctuates the action of the subplot in precisely the same ...
Page 86
... action , experiencing it , and outside , controlling it . This is a signifi- cantly different role from that of the royal spectator , who experienced the masque first as audience and then as par- ticipant , but who did not control the ...
... action , experiencing it , and outside , controlling it . This is a signifi- cantly different role from that of the royal spectator , who experienced the masque first as audience and then as par- ticipant , but who did not control the ...
Contents
Imagination and Ideology | 148 |
This Giant Has Wounded | 218 |
Notes | 261 |
Copyright | |
2 other sections not shown
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according action appear argues attempt audience authority Barlow become believe Bunyan Cause Cecil Christian Church Civil claim clearly common continued court criticism culture death Duke Earl early Edward effect England English Essex example exchange fact figure final give Gunpowder hand Herbert Honor ideology imagination interests James James's John king Lady later London Lord Macbeth marriage masque means merchants metaphor Middleton Milton monarch nature Notes Notions once Oxford pageants pamphlet perhaps perspective play political position present propaganda Prospero Queen question readers relation religion religious represented rhetorical rituals royal rule sense sermon seventeenth century Shakespeare's social speak speech stage structure suggests theater things Thomas thou traditional Triumphs true truth University writing York