An Abridgment of Lectures on Rhetorick |
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Page 40
... arranged in a sentence , we find a very remarkable dif- ference between ancient and modern tongues . The consideration ... arrangement from the ancient . In their prose compositions , very little variety is admitted in the collocation of ...
... arranged in a sentence , we find a very remarkable dif- ference between ancient and modern tongues . The consideration ... arrangement from the ancient . In their prose compositions , very little variety is admitted in the collocation of ...
Page 44
... arrangement of the letters , as amounts to demonstration that they were derived originally from the same source . The ancient order of writing was from the right hand to the left . This method as appears from some very old inscriptions ...
... arrangement of the letters , as amounts to demonstration that they were derived originally from the same source . The ancient order of writing was from the right hand to the left . This method as appears from some very old inscriptions ...
Page 47
... arrangement of words , which the ancient languages enjoyed . Pronouns are the representatives of nouns , and are subject to the same modifications of number , gender and case . We may observe , however , that the pro- nouns of the first ...
... arrangement of words , which the ancient languages enjoyed . Pronouns are the representatives of nouns , and are subject to the same modifications of number , gender and case . We may observe , however , that the pro- nouns of the first ...
Page 52
... arrangements of which its words are susceptible ; and the variety and beau- ty of the sounds of its words . The Greek possessed these requisites in a higher degree than any other lan- guage . It superadded the graceful variety of its ...
... arrangements of which its words are susceptible ; and the variety and beau- ty of the sounds of its words . The Greek possessed these requisites in a higher degree than any other lan- guage . It superadded the graceful variety of its ...
Page 58
... arrangement of our sentences is , that words or mem- bers most nearly related should be placed as near to each other as possible , that their mutual relation may clearly appear . This rule is frequently neglected even by good writers ...
... arrangement of our sentences is , that words or mem- bers most nearly related should be placed as near to each other as possible , that their mutual relation may clearly appear . This rule is frequently neglected even by good writers ...
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action admit Æneid ancient appear arguments attention beauty blank verse characters Cicero circumstances comedy composition concise critics degree Demosthenes dignity discourse distinction distinguished effect elegant eloquence emotion employed English epic poem epic poetry excel excite exhibit expression figure founded frequently genius give grace grandeur Greek guage hearers Hence Henriade Homer ideas Iliad imagination imitation instance ject kind language Livy Lusiad lyric poetry manner ment merit metaphor mind mode modern moral motion narration nature never objects observed orator ornament painting Paradise Lost passion pastoral pastoral poetry pathetic pause peculiar perspicuity Pharsalia philosophical pleasing pleasure poet poetical principal proper propriety public speaking render requisite resemblance Roman rule scene sense sentence sentiments simplicity sion sound speaker species speech spirit strength strong style sublime syllable Tacitus Taste theatre of France thing thought tion tragedy tropes unity variety verbs verse Virgil words writing
Popular passages
Page 180 - And the parched ground shall become a pool, and the thirsty land springs of water : in the habitation of dragons where each lay, shall be grass with reeds and rushes.
Page 21 - That saith of Cyrus, He is my shepherd, And shall perform all my pleasure ; Even saying to Jerusalem, Thou shalt be built ; And to the temple, Thy foundation shall be laid.
Page 68 - I shall detain you now no longer in the demonstration of what we should not do, but straight conduct you to a hill-side, where I will point you out the right path of a virtuous and noble education ; laborious indeed at the first ascent, but else so smooth, so green, so full of goodly prospect, and melodious sounds on every side, that the harp of Orpheus was not more charming-.
Page 107 - He can converse with a picture, and find an agreeable companion in a statue. He meets with a secret refreshment in a description, and often feels a greater satisfaction in the prospect of fields and meadows than another does in the possession. It gives him, indeed, a kind of property in every thing he sees, and makes the most rude uncultivated parts of nature administer to his pleasures: so that he looks upon the world, as it were, in another light, and discovers in it a multitude of charms that...
Page 66 - Homer was the greater genius; Virgil, the better artist; in the one, we most admire the man; in. the other, the work. Homer hurries us with a commanding impetuosity; Virgil leads us with an attractive majesty. Homer scatters with a generous profusion; Virgil bestows with a careful magnificence. Homer, like the Nile, pours out his riches with a sudden overflow; Virgil, like a river in its banks, with a constant stream.
Page 21 - He made darkness his secret place; His pavilion round about him were dark waters and thick clouds of the skies.
Page 69 - OUR sight is the most perfect and most delightful of all our senses. It fills the mind with the largest variety of ideas, converses with its objects at the greatest distance, and continues the longest in action without being tired or satiated with its proper enjoyments.
Page 19 - Wheeling unshaken through the void immense ; And speak, O man ! does this capacious scene With half that kindling majesty dilate Thy strong conception, as when Brutus rose Refulgent from the stroke of Caesar's fate, Amid the crowd of patriots ; and his arm Aloft extending, like eternal Jove When guilt brings down the thunder, call'd aloud On Tully's name, and shook his crimson steel, And bade the father of his country hail ? For lo ! the tyrant prostrate on the dust, And Rome again is free...
Page 23 - He spoke, and awful bends his sable brows, Shakes his ambrosial curls, and gives the nod, The stamp of fate, and sanction of the god : High Heaven with trembling the dread signal took, And all Olympus to the centre shook.
Page 109 - Entertain hopes, mirth rather than joy, variety of delights, rather than surfeit of them ; wonder and admiration, and therefore novelties ; studies that fill the mind with splendid and illustrious objects, as histories, fables, and contemplations of nature.