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AN ESSAY

ON THE

*

ANCIENT MINSTRELS IN ENGLAND.

own Teutonic ancestors,† particularly by all
the Danish tribes. Among these, they were
distinguished by the name of Scalds, a word
which denotes "smoothers and polishers of
language." The origin of their art was at-
tributed to Odin or Woden, the father of
their gods; and the professors of it were held
in the highest estimation.
Their skill was
considered as something divine; their persons
were deemed sacred; their attendance was
solicited by kings; and they were everywhere
loaded with honours and rewards. In short,
Poets and their art were held among them in
that rude admiration which is ever shown by
an ignorant people to such as excel them in
intellectual accomplishments.

1. THE MINSTRELS (A) were an order of | Gothic race; but by none more than by our men in the middle ages, who subsisted by the arts of poetry and music, and sang to the harp verses composed by themselves or others. They also appear to have accompanied their songs with mimicry and action; and to have practised such various means of diverting as were much admired in those rude times, and supplied the want of more refined entertainment. (B) These arts rendered them extremely popular and acceptable in this and all the neighbouring countries; where no high scene of festivity was esteemed complete, that was not set off with the exercise of their talents; and where, so long as the spirit of chivalry subsisted, they were protected and caressed, because their songs tended to do honour to the ruling passion of the times, and to encourage and foment a martial spirit.

The Minstrels seem to have been the genuine successors of the ancient Bards, (C) who under different names were admired and revered, from the earliest ages, among the people of Gaul, Britain, Ireland, and the North; and indeed, by almost all the first inhabitants of Europe, whether of Celtic or

(A) The larger Notes and Illustrations referred to by the capital letters (A) (B), &c., are thrown together to the end of this Essay.

*Wedded to no hypothesis, the Author hath readily corrected any mistakes which have been proved to be in this Essay; and, considering the novelty of the subject, and the time, and place, when and where he first took it up, many such had been excusable. That the term Minstrel was not confined, as some contend, to a mere Musician, in this country, any more than on the Continent, will be considered more fully in the last note (G g) at the end of this Essay.

As these honours were paid to Poetry and Song, from the earliest times, in those countries which our Anglo-Saxon ancestors inhabited before their removal into Britain, we may reasonably conclude, that they would not lay aside all their regard for men of this sort immediately on quitting their German forests. At least so long as they retained their ancient manners and opinions, they would still hold them in high estimation. But as the Saxons, soon after their establish

* Vid. Pelloutier Hist. des Celtes, tom. 1, 1. 2, c. 6, 10. †Tacit. de Mor. Germ. cap. 2.

Vid. Bartholin. de Causis contempt a Danis Mortis, lib. 1, cap. 10.-Wormij Literatura Runic. ad finem.-See also "Northern Antiquities, or, a Description of the Manners, Customs, &c., of the ancient Danes, and other Northern Nations: from the French of M. Mallet." London, printed for T. Carnan, 1770, 2 vols. 8vo.

Torfæi Præfat. ad Orcad. Hist.-Pref. to "Five Pieces of Runic Poetry," &c.

ment in this island, were converted to Christianity; in proportion as literature prevailed among them, this rude admiration would begin to abate, and poetry would be no longer a peculiar profession. Thus the Poet and the Minstrel early with us became two persons. (D) Poetry was cultivated by men of letters indiscriminately; and many of the most popular rhymes were composed amidst the leisure and retirement of monasteries. But the Minstrels continued a distinct order of men for many ages after the Norman conquest; and got their livelihood by singing verses to the harp at the houses of the great. (E) There they were still hospitably and respectfully received, and retained many of the honours shown to their predecessors, the Bards and Scalds. (F) And though, as their art declined, many of them only recited the compositions of others, some of them still composed songs themselves, and all of them could probably invent a few stanzas on occasion. I have no doubt but most of the old heroic Ballads in this collection were composed by this order of men. For although some of the larger metrical romances might come from the pen of the monks or others, yet the smaller narratives were probably composed by the minstrels who sang them. From the amazing variations which occur in different copies of the old pieces, it is evident they made no scruple to alter each other's productions; and the reciter added or omitted whole stanzas, according to his own fancy or convenience.

In the early ages, as was hinted above, the profession of oral itinerant Poet was held in the utmost reverence among all the Danish tribes; and, therefore, we might have concluded, that it was not unknown or unrespected among their Saxon brethren in Britain, even if history had been altogether silent on this subject. The original country of our Anglo-Saxon ancestors is well known to have lien chiefly in the Cimbric Chersonese, in the tracts of land since distinguished by the name of Jutland, Angelen, and Holstein.* The Jutes and Angles in particular, who composed two-thirds of the conquerors of Britain,

* Vid. Chronic. Saxon. à Gibson, p. 12, 13, 4to.-Bed. Hist. Eccles. à Smith, lib. 1, c. 15.-" Ealdsexe (Regio antiq. Saxonum] in crevice Cimbrica Chersonesi, Holsatiam proprie dictam Dithmarsiam, Stormariam, et Wagriam, complectens." Annot. in Bed. à Smith, p. 52. Et vid. Camdeni Britan.

were a Danish people, and their country at this day belongs to the crown of Denmark; so that when the Danes again infested England, three or four hundred years after, they made war on the descendants of their own ances

tors. From this near affinity, we might expect to discover a strong resemblance between both nations in their customs, manners, and even language: and, in fact, we find them to differ no more than would naturally happen between a parent country and its own colonies, that had been severed in a rude uncivilized state, and had dropt all intercourse for three or four centuries: especially if we reflect that the colony here settled had adopted a new religion, extremely opposite in all respects to the ancient Paganism of the mother country; and that even at first, along with the original Angli, had been incorporated a large mixture of Saxons from the neighbouring parts of Germany; and afterwards, among the Danish invaders, had come vast multitudes of adventurers from the more northern parts of Scandinavia. But all these were only different tribes of the same common Teutonic stock, and spoke only dif ferent dialects of the same Gothic language.‡

From this sameness of original and similarity of manners, we might justly have wondered, if a character, so dignified and distinguished among the ancient Danes, as the Scald or Bard, had been totally unknown or unregarded in this sister nation. And, indeed, this argument is so strong, and, at the same time, the early annals of the AngloSaxons are so scanty and defective, (G) that no objections from their silence could be sufficient to overthrow it. For if these popular Bards were confessedly revered and admired in those very countries which the AngloSaxons inhabited before their removal into Britain, and if they were afterwards common and numerous among the other descendants of the same Teutonic ancestors, can we do otherwise than conclude, that men of this order accompanied such tribes as migrated hither; that they afterwards subsisted here, though, perhaps, with less splendour than in the North; and that there never was wanting

"Anglia Vestus, hodie etiam Anglen, sita est inter Saxones et Giotes [Jutes], habens oppidum capitale.. Sleswick." Ethelwerd. lib. 1.

See Northern Antiquities, &c., vol. i. pag. 7, 8, 185, 250, 260, 261.

Ibid. Preface, p. 26.

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