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Porcupine's Quill, 2006 - Biography & Autobiography - 93 pages

It has become customary in Canada to describe P. K. Page as `distinguished', but that epithet betrays her. P. K. Page is simply too vivacious, too cunning, too elusive, to be monumentalized. She is in fact the supreme escape artist of our literature. Try to confine her in a villanelle and she scampers off into free verse. Peg her as a prose poet and she springs forth with a glosa. Categorize her as a poet who writes fiction but then note that you find very little `poet's prose' in her stories. Her characters are often incised with acid and a cruelly keen burin. She is the shrewdest of observers but at the same time she celebrates life, low and high, in all its manifestations. One of the finest and most distinctive Canadian poets, P. K. Page is no provincial. She is a citizen not merely of the world, but of the earth.

Starting in Calgary in the twenties, the young P K Page discovered first horses and then the pre-Raphaelites in cheap reproductions. In the thirties it was London, then back to the Maritimes and war and the distance of accented radio broadcasts from overseas. In the forties, in Montreal, there was snow as high as a house, cocoa at Murray's on Sherbrooke Street and poems by Frank Scott and Abe Klein read aloud in rented rooms.

In the fifties, marriage to Arthur Irwin and thence to Australia by steamer via Aden, Port Said and Ceylon. Kangaroos and platypus and tea with the wives of diplomats. Perth to Melbourne by train. Alice Springs, Kalgoorli and Ayers Rock. Briefly, New Guinea. Then Brazil, a pet marmoset christened B Fledermouse and drinks with Margot Fonteyn on the beach at Copacobana. From the sublime, to the ridiculous -- an honour guard of mariachis poised to greet John Diefenbaker in the shadow of Popocatepetl. The posting to Mexico was the last.

Her memoir ranges from the trivial - the condition of pipes and wiring in embassy homes - to the profound, her persistent search for spiritual certainty. P. K. Page met many of the dominant figures of the twentieth century, including Nehru, DeGaulle, Mountbatten, Tito and the Kennedys. But above all, she celebrates the senses, the beauty of it all.

Towards the end of a long and passionate life, Page shares in a most engaging form the highlights of a life lived to the full.

Contents

Section 1
9
Section 2
11
Section 3
21
Section 4
39
Section 5
40
Section 6
43
Section 7
53
Section 8
61
Section 9
63
Section 10
81
Section 11
82
Section 12
89
Section 13
93
Section 14
Section 15
Copyright

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About the author (2006)

P. K. Page 1916-2010 P. K. (Patricia Kathleen) Page was born in Dorset, England on November 23, 1916 and moved to Canada in 1919. She was a founder of the magazine, "Preview" and a scripwriter for the National Film Board. Her work "the Metal and the Flower," won her the Governor General's Award. She has also won the Oscar Blumenthal Award for Poetry, the National Magazine Award, the Canadian Authors' Association Literary Award and the Hubert Evans Prize for "Brazilian Journal." In addition, she was the recipient of the Banff Centre of Fine Arts National Award in 1989 and she is a Life Member of the League of Canadian Poets. Although most known for her writing, Page is also an artist. She exhibits her paintings under the name P. K. Irwin (as she is the wife of diplomat Arthur Irwin). Her works are in the permanent collections of the National Gallery of Canada and the Art Gallery of Ontario. She died on January 14, 2010

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