The Good that Lives After Them: A Pattern in Shakespeare's Tragedies |
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Page 109
... recognizes the role of grief as an index of love is evident from much that he says and does , but most of all from his response to that line which I have so self - servingly put into the mouths of my hypothetical opponents several ...
... recognizes the role of grief as an index of love is evident from much that he says and does , but most of all from his response to that line which I have so self - servingly put into the mouths of my hypothetical opponents several ...
Page 202
... recognizes , at least fleetingly , that his way of life is self - destructive and a product of self - hatred , but he does not mull over more difficult questions , such as why he hates himself or how things might have been different ...
... recognizes , at least fleetingly , that his way of life is self - destructive and a product of self - hatred , but he does not mull over more difficult questions , such as why he hates himself or how things might have been different ...
Page 212
... recognizes that the dream is the result of his conscience : " O coward conscience , how dost thou afflict me ! " and " My conscience hath a thousand several tongues ' ( V.iii.179 , 193 ) . His opinion on this matter does not change . He ...
... recognizes that the dream is the result of his conscience : " O coward conscience , how dost thou afflict me ! " and " My conscience hath a thousand several tongues ' ( V.iii.179 , 193 ) . His opinion on this matter does not change . He ...
Contents
Hamlets Other Purpose | 12 |
King Lear and Macbeth the First Love Test | 39 |
King Lear and Macbeth the Second Love Test | 100 |
Copyright | |
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Common terms and phrases
abdication actions ambitious androgyny Antony and Cleopatra apparitions asserts attribute audience Banquo's ghost behavior bond character Christian cited compositional pattern contrast Cordelia courage course crimes criticize dagger daughter death desire deuteragonist discussion divine grace dramatic ennui ethical evidence evil explicitly express fact father fear Gentleman Goneril and Regan grace grief Hamlet Hecuba implies interpretation Kent kill Duncan kind of manliness King Lear kingship Lady Macbeth Laertes later Lear and Macbeth Lear's least lines love test Macduff meaninglessness means merely moral murder nature never nothingness Ophelia Othello pangs of conscience passage perhaps person phrase play play's Polonius possess primary motives protagonist purpose reaction reason reference regicide relationship religious revenge Richard III Romeo and Juliet Rosenberg sacrifice says scene secondary motives seems sense Shakespeare significance sisters Siward soliloquy someone speaks speech suggests suicide things thou tragedy tragic victims virtue wants wife witches words