The Good that Lives After Them: A Pattern in Shakespeare's Tragedies |
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Page 24
... contrasts himself with him : if the player had Hamlet's " cue for passion , " that is , were he playing the role of ... contrast between the outlooks of Hamlet and Polonius can be conceptualized in terms of the distinctions drawn in n2 ...
... contrasts himself with him : if the player had Hamlet's " cue for passion , " that is , were he playing the role of ... contrast between the outlooks of Hamlet and Polonius can be conceptualized in terms of the distinctions drawn in n2 ...
Page 68
... contrast between Cordelia's and Kent's manners of speech in the first scene that she and he are so very different . Kent in that first scene speaks passionately on behalf of someone else ; Cordelia does the same here . She and he are ...
... contrast between Cordelia's and Kent's manners of speech in the first scene that she and he are so very different . Kent in that first scene speaks passionately on behalf of someone else ; Cordelia does the same here . She and he are ...
Page 201
... contrasts directly with Richard's use of them . The rhythms of Richard's first soliloquy , though sweeping , are ... contrast to his first , and undoubtedly is supposed to . " The tremendous change in style reflects a tremendous ...
... contrasts directly with Richard's use of them . The rhythms of Richard's first soliloquy , though sweeping , are ... contrast to his first , and undoubtedly is supposed to . " The tremendous change in style reflects a tremendous ...
Contents
Hamlets Other Purpose | 12 |
King Lear and Macbeth the First Love Test | 39 |
King Lear and Macbeth the Second Love Test | 100 |
Copyright | |
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Common terms and phrases
abdication actions ambitious androgyny Antony and Cleopatra apparitions asserts attribute audience Banquo's ghost behavior bond character Christian cited compositional pattern contrast Cordelia courage course crimes criticize dagger daughter death desire deuteragonist discussion divine grace dramatic ennui ethical evidence evil explicitly express fact father fear Gentleman Goneril and Regan grace grief Hamlet Hecuba implies interpretation Kent kill Duncan kind of manliness King Lear kingship Lady Macbeth Laertes later Lear and Macbeth Lear's least lines love test Macduff meaninglessness means merely moral murder nature never nothingness Ophelia Othello pangs of conscience passage perhaps person phrase play play's Polonius possess primary motives protagonist purpose reaction reason reference regicide relationship religious revenge Richard III Romeo and Juliet Rosenberg sacrifice says scene secondary motives seems sense Shakespeare significance sisters Siward soliloquy someone speaks speech suggests suicide things thou tragedy tragic victims virtue wants wife witches words