The European Renaissance, 1400-1600

Front Cover
Longman, 2002 - Social Science - 385 pages

With Italy at its centre, but encompassing the whole of Renaissance Europe, this evocative history challenges some of the popularly-held views on the Renaissance period. In particular, whilst always acknowledging the brilliance and exhuberance of Renaissance culture, Robin Kirkpatrick draws equal attention to the strangeness and often unresolved tensions that lay beneath the surface of that culture.Insisting on a European rather than purely Italian viewpoint, he embraces Renaissance thinking and culture in all its diversity: from Northern thinkers such as Cusanus, Luther and Calvin, to the painting of Van der Weyden and El Greco, and the music of the Flemish musicians, Josquin des Prez and Orlando Lassus. Special attention is also paid to the unique contribution made by Margueritte of Navarre to the development of humanist culture. The book concludes with a study of Shakespeare in which his plays are viewed as a searching critique of some of the main principles of Renaissance culture.

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Contents

part
27
EDUCATION IMITATION AND CREATION
73
REFORMATION AND THE RENAISSANCE INDIVIDUAL
106
A CONCLUSION
136
THE FIGURATIVE ARTS
165
LYRIC EPIC AND PASTORAL
220
MUSIC
269
PROSE FICTION AND THEATRE
315
Bibliography
371
Index
379
Copyright

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About the author (2002)

Robin Kirkpatrick is a fellow of Robinson College and Head of the Department of Italian, University of Cambridge.

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