Shostakovich and His World

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Laurel E. Fay
Princeton University Press, 2004 - Biography & Autobiography - 405 pages
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Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations--historical, cultural, and political--that forged them.

The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionnaire reveal much about his formative tastes in the arts and the way he experienced the creative process. His previously unknown letters to Stalin shed new light on Shostakovich's position within the Soviet artistic elite.

The essays delve into neglected aspects of Shostakovich's formidable legacy. Simon Morrison provides an in-depth examination of the choreography, costumes, d cor, and music of his ballet The Bolt and Gerard McBurney of the musical references, parodies, and quotations in his operetta Moscow, Cheryomushki. David Fanning looks at Shostakovich's activities as a pedagogue and the mark they left on his students' and his own music. Peter J. Schmelz explores the composer's late-period adoption of twelve-tone writing in the context of the distinctively "Soviet" practice of serialism. Other contributors include Caryl Emerson, Christopher H. Gibbs, Levon Hakobian, Leonid Maximenkov, and Rosa Sadykhova. In a provocative concluding essay, Leon Botstein reflects on the different ways listeners approach the music of Shostakovich.


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Shostakovich and his world

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One of the greatest composers of the last century and also one of the most controversial, Dmitri Shostakovich (1906-75) remained a dutiful representative of the official Soviet state during his ... Read full review


Letters to His Mother 19231927
Responses of Shostakovich to a Questionnaire on the Psychology of the Creative Process
Letters to a Friend
A Documentary Essay on Shostakovichs War Symphony
Observations on The Bolt
An Affinity of Opposites
Shostakovich and the Russian Literary Tradition
Fried Chicken in the BirdCherry Trees
Shostakovich and His Pupils
Shostakovichs TwelveTone Compositions and the Politics and Practice of Soviet Serialism
Listening to Shostakovich
Notes on the Contributors

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About the author (2004)

Laurel E. Fay is a widely published writer on Russian and Soviet music, who has been traveling to and studying in Russia since 1971. She lives in Staten Island, New York.

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