Intersecting Art and Technology in Practice: Techne/technique/technology

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Camille C. Baker, Kate Sicchio
Routledge, 2017 - Art and technology - 228 pages
Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of Figures -- List of Tables -- Acknowledgments -- Foreword -- Introduction -- Theme 1 Artistic Process/Challenges -- 1 Intuition and Creative Process Methodologies in Digital Performance -- 2 60 mA: Experimenting with Performing with Electrodes/Experiences in Digital Art Practice -- 3 The Bleeding Self in Digital Performance Practice: A Phenomenology of Self through the Making Process -- 4 Making Speculative Technologies -- 5 Construction of Processes to Live Audiovisual Performance -- 6 NO PLACE: Presence, Performance and Virtuality -- 7 Imagination, Art and Reality -- Theme 2 Collaborations -- 8 Cultivating PermaCultural Resilience (pCr): The PermaCultural Dérive as an Itinerant's Approach to a Techne of Becoming -- 9 The Immanent Researcher -- 10 Temporal Scaffolding: A Collaborative and Networked Infrastructure of Techne, Screendance, AR, Affect, Audiences and Smart Mobile Devices in the Project -- 11 Neurocinematics: A Filmmaker's Reflections of Collaboration with Neuroscientists -- 12 Shifting Our Horizons: Exploring Mobility in Micro Production and Floating Exhibitions -- Theme 3 Shared Knowledge -- 13 We Collaborate [T]here: Processes of Networked Collaboration -- 14 Methodologies of Risk and Experimental Prototyping -- 15 Behind the Idea: Meta-Modelsfor Creativity -- 16 Mass Collaboration through Software and Why We Need a 'Keeper' Movement -- 17 Generative Approaches for Meaning Making in Art -- Notes on Contributors -- Index

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About the author (2017)

Camille C Baker is a Reader in the School of Communication Design, University for the Creative Arts, Epsom, UK. She is a media artist/curator/Reader in digital media with recent work in participatory mobile and sensor performance using wearable technologies, now exploring creative coding and electronic development for smart-fashion projects. She explores new mechanisms to elicit engaging experiences using evolving approaches to participatory performance. Her website is

Kate Sicchio is Visiting Assistant Professor, Integrated Digital Media, New York University, USA. She works at the interface of technology and choreography. Her work includes performances, installations, web and video projects. She has presented work internationally across the US, Canada, Germany, Australia, Belgium and the UK at venues such as the V&A (London), EU Parliament (Brussels), Banff New Media Institute (Banff) and Arnolfini Art Centre (Bristol UK). Her website is http: //

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