Intersecting Art and Technology in Practice: Techne/technique/technology

Front Cover
Camille C. Baker, Kate Sicchio
Routledge, 2017 - Art - 228 pages
Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of Figures -- List of Tables -- Acknowledgments -- Foreword -- Introduction -- Theme 1 Artistic Process/Challenges -- 1 Intuition and Creative Process Methodologies in Digital Performance -- 2 60 mA: Experimenting with Performing with Electrodes/Experiences in Digital Art Practice -- 3 The Bleeding Self in Digital Performance Practice: A Phenomenology of Self through the Making Process -- 4 Making Speculative Technologies -- 5 Construction of Processes to Live Audiovisual Performance -- 6 NO PLACE: Presence, Performance and Virtuality -- 7 Imagination, Art and Reality -- Theme 2 Collaborations -- 8 Cultivating PermaCultural Resilience (pCr): The PermaCultural Dérive as an Itinerant's Approach to a Techne of Becoming -- 9 The Immanent Researcher -- 10 Temporal Scaffolding: A Collaborative and Networked Infrastructure of Techne, Screendance, AR, Affect, Audiences and Smart Mobile Devices in the Project -- 11 Neurocinematics: A Filmmaker's Reflections of Collaboration with Neuroscientists -- 12 Shifting Our Horizons: Exploring Mobility in Micro Production and Floating Exhibitions -- Theme 3 Shared Knowledge -- 13 We Collaborate [T]here: Processes of Networked Collaboration -- 14 Methodologies of Risk and Experimental Prototyping -- 15 Behind the Idea: Meta-Modelsfor Creativity -- 16 Mass Collaboration through Software and Why We Need a 'Keeper' Movement -- 17 Generative Approaches for Meaning Making in Art -- Notes on Contributors -- Index

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