Augusto BoalThe work of Augusto Boal has had a tremendous impact on contemporary theatre. This volume looks at the scope of Boal's career - from his early work as a playwright and director in Sao Paulo in the 1950s, to the development of his groundbreaking manifesto in the 1970s for a 'Theatre of the Oppressed'. Augusto Boal will be fascinating reading for anyone interested in the role that theatre can play in stimulating social and personal change. This useful study combines:
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... exercises . Volumes currently available in the series are : Eugenio Barba by Jane Turner Augusto Boal by Frances Babbage Michael Chekhov by Franc Chamberlain Anna Halprin by Libby Worth and Helen Poynor Jacques Lecoq by Simon Murray ...
... exercises . Volumes currently available in the series are : Eugenio Barba by Jane Turner Augusto Boal by Frances Babbage Michael Chekhov by Franc Chamberlain Anna Halprin by Libby Worth and Helen Poynor Jacques Lecoq by Simon Murray ...
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... exercises or practices within which the gender of the participants is irrelevant to the context . Where plural- isation has not been possible , I have referred to Boal's ' spect - actor ' as ' she ' ; elsewhere I have tried to use ' he ...
... exercises or practices within which the gender of the participants is irrelevant to the context . Where plural- isation has not been possible , I have referred to Boal's ' spect - actor ' as ' she ' ; elsewhere I have tried to use ' he ...
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Contents
BIOGRAPHY AND CONTEXT | 5 |
CONTEXT FOR A THEATRE OF THE OPPRESSED | 5 |
EARLY YEARS | 5 |
IN NEW YORK | 5 |
AT THE ARENA THEATRE OF SÄO PAULO 195671 | 9 |
IN EXILE 197186 | 16 |
DEVELOPMENTS IN RIO | 25 |
THEATRE OF THE OPPRESSED IN THE TWENTYFIRST CENTURY | 30 |
GOING GOING GONE | 70 |
NEVER AGAIN | 88 |
CONCLUSIONS | 102 |
WORKSHOP PROCESS | 107 |
FUNDAMENTALS | 108 |
WORKSHOP STRUCTURE | 110 |
PREPARATION AND GAMES | 111 |
IMAGES AND EXPERIENCE | 117 |
THEATRE OF THE OPPRESSED | 35 |
OVERVIEW | 37 |
KEY CONCEPTS | 39 |
THE THESIS IN DETAIL | 45 |
FORUM THEATRE IN PRODUCTION | 67 |
CLOSURE | 138 |
GLOSSARY | 141 |
145 | |
151 | |
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Common terms and phrases
achieved action actors Adrian Jackson Agonafir ALFIN Anna Arena Conta Arena Theatre argues Aristotle artistic asked audience Augusto Boal Bertolt Brecht Boal's Brazil Brazilian Brecht Cardboard Citizens catharsis character context created critical CTO-Rio developed discussion Dopey drama Dramaturgy dynamisation empathy emphasises Engagement Programme Epic Theatre example exercise experience explore feel Forum Theatre Freire Gassner Going hamartia Hegel homeless ideas identify Image Theatre improvised Incluedo individual initially intervention invited Jacob Moreno Jennifer Jennifer's Joker Konstantin Stanislavsky Legislative Theatre lives Metaxis methods Milleret Mind the Gap mother Never observe offered Oppressed techniques organisation participants Paulo Paulo Freire performance physical play playwright poetics political possible practice practitioners principles problems production proposed protagonist Psycho Rainbow of Desire realism reality recognise role São Paulo scene sculpted simply social spect-actors spectators stage strategies suggests Teatro theatre's theatrical tion transformation turn workshop leader Zumbi
References to this book
Theatre, Education and the Making of Meanings: Art Or Instrument? Anthony Jackson No preview available - 2007 |