I see a strange confession in thine eye:

Thou shak'st thy head; and hold'st it fear, or sin*,
To speak a truth. If he be slain, say so 3:
The tongue offends not, that reports his death:
And he doth sin, that doth belie the dead;
Not he, which says the dead is not alive.
Yet the first bringer of unwelcome news
Hath but a losing office; and his tongue
Sounds ever after as a sullen bell,
Remember'd knolling a departing friend".
* Quartos, tolling.

"And he doth sin, that doth belie the dead;

"Not he, which says the dead is not alive.

"Mor. Yet the first bringer of unwelcome news
"Hath but a losing office; and his tongue
"Sounds ever after as a sullen bell,

"Remember'd knolling a departing friend."

Here is a natural interposition of Bardolph at the beginning, who is not pleased to hear his news confuted, and a proper preparation of Morton for the tale which he is unwilling to tell.

JOHNSON.

4- hold'st it FEAR, or sin,] Fear, for danger. WARBURTON. - If he be slain, say so:] The words say so are in the first folio, but not in the quarto: they are necessary to the verse, but the sense proceeds as well without them. JOHNSON. 6 Sounds ever after as a SULLEN bell,

Remember'd knolling a DEPARTING friend.] So, in our author's 71st Sonnet:

you shall hear the surly sullen bell "Give warning to the world that I am fled." This significant epithet has been adopted by Milton: "I hear the far-off curfew sound,

"Over some wide water'd shore

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Swinging slow with sullen roar."

Departing, I believe, is here used for departed. MALONE. I cannot concur in this supposition. The bell, anciently, was rung before expiration, and thence was called the passing bell, i. e. the bell that solicited prayers for the soul passing into another world. STEEVENS.

I am inclined to think that this bell might have been originally used to drive away demons who were watching to take possession of the soul of the deceased. In the cuts to some of the old service books which contain the Vigilia mortuorum, several devils are waiting for this purpose in the chamber of a dying man, to whom the priest is administering extreme unction. DOUCE.

BARD. I cannot think, my lord, your son is

dead.

MOR. I am sorry, I should force you to believe That, which I would to heaven I had not seen: But these mine eyes saw him in bloody state, Rend'ring faint quittance', wearied and outbreath'd, To Harry Monmouth; whose swift wrath beat

down

The never-daunted Percy to the earth,

From whence with life he never more sprung up.
In few, his death (whose spirit lent a fire
Even to the dullest peasant in his camp,)
Being bruited once, took fire and heat away
From the best temper'd courage in his troops:
For from his metal was his party steel'd;
Which once in him abated", all the rest
Turn'd on themselves, like dull and heavy lead.
And as the thing that's heavy in itself,
Upon enforcement, flies with greatest speed;
So did our men, heavy in Hotspur's loss,

Lend to this weight such lightness with their fear,
That arrows fled not swifter toward their aim,
Than did our soldiers, aiming at their safety,
Fly from the field: Then was that noble Worcester
Too soon ta'en prisoner: and that furious Scot,
The bloody Douglas, whose well-labouring sword
Had three times slain the appearance of the king,
'Gan vail his stomach, and did grace the shame

7 — faint QUITTANCE,] Quittance is return. By "faint quittance is meant a faint return of blows.' So, in King Henry V.:

"We shall forget the office of our hand,

"Sooner than quittance of desert and merit." STEEvens. 8 For from his metal was his party steel'd;

Which once in him ABATED,] Abated is not here put for the general idea of diminished, nor for the notion of blunted, as applied to a single edge. Abated means reduced to a lower temper, or, as the workmen call it, let down. JOHNSON.

9 'Gan vail his stomach,] Began to fall his courage, to let his spirits sink under his fortune. JOHNSON.

Of those that turn'd their backs; and, in his flight,
Stumbling in fear, was took. The sum of all
Is,—that the king hath won; and hath sent out
A speedy power, to encounter you, my lord,
Under the conduct of young Lancaster,
And Westmoreland: this is the news at full.
NORTH. For this I shall have time enough to

mourn.

In poison there is physic; and these news, Having been well that would have made me sick1, Being sick, have in some measure made me well: And as the wretch, whose fever-weaken'd joints, Like strengthless hinges, buckle 2 under life, Impatient of his fit, breaks like a fire

Out of his keeper's arms; even so my limbs, Weaken'd with grief, being now enrag'd with grief, Are thrice themselves: hence therefore, thou nice"

crutch;

4

From avaller, Fr. to cast down, or to let fall down. MALONE. This phrase has already appeared in The Taming of the Shrew, vol. v. p. 521 :

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Then vail your stomachs, for it is no boot;

"And place your hands below your husbands' foot."

Reed.

Thus, to vail the bonnet is to pull it off. So, in The Pinner of Wakefield, 1599:

"And make the king vail bonnet to us both."

To vail a staff, is to let it fall in token of respect. Thus, in the same play :

"And for the ancient custom of vail-staff,

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Keep it still; claim thou privilege from me:

"If any ask a reason, why? or how?

66

Say, English Edward vail'd his staff to you."

See vol. ix. p. 178, n. 4.

STEEVENS.

'Having been well, that would have made me sick,] i. e. that would, had I been well, have made me sick. MALONE.

2

3

- buckle-] Bend; yield to pressure. JOHNSON.

even so my limbs,

Weaken'd with GRIEF, being now enrag'd with GRIEF,

Are thrice themselves:] As Northumberland is here comparing himself to a person, who, though his joints are weakened by a bodily disorder, derives strength from the distemper of the VOL. XVII.

с

A scaly gauntlet now, with joints of steel,
Must glove this hand: and hence, thou sickly quoif;
Thou art a guard too wanton for the head,

Which princes, flesh'd with conquest, aim to hit.
Now bind my brows with iron; And approach
The ragged'st hour 5 that time and spite dare bring,

mind, I formerly proposed to read—" Weakened with age," or "Weakened with pain."

When a word is repeated, without propriety, in the same or two succeeding lines, there is great reason to suspect some corruption. Thus, in this scene, in the first folio, we have "able heels," instead of "armed heels," in consequence of the word able having occurred in the preceding line. So, in Hamlet: "Thy news shall be the news," &c. instead of "Thy news shall be the fruit.” Again, in Macbeth, instead of "Whom we, to gain our place," &c. we find

"Whom we, to gain our peace, have sent to peace."

In this conjecture I had once some confidence; but it is much diminished by the subsequent note, and by my having lately observed that Shakspeare elsewhere uses grief for bodily pain. Falstaff, in King Henry IV. Part I. vol. xvi. p. 387, speaks of "the grief of a wound." Grief, in the latter part of this line, is used in its present sense, for sorrow; in the former part, for bodily pain. MALONE.

row.

66

Grief, in ancient language, signifies bodily pain, as well as sorSo, in A Treatise of Sundrie Diseases, &c. by T. T. 1591: he being at that time griped sore, and having grief in his lower bellie.' Dolor ventris is, by our old writers, frequently translated " 'grief of the guts." I perceive no need of alteration. STEEVENS.

4-nice i. e. trifling. So, in Julius Cæsar:

"That every nice offence should bear his comments."

STEEVENS.

5 The RAGGED'ST hour-] Mr. Theobald and the subsequent editors read-The rugged'st. But change is unnecessary, the expression in the text being used more than once by our author. In As You Like It, Amiens says, his voice is ragged; and rag is employed as a term of reproach in The Merry Wives of Windsor, and in Timon of Athens. See also the Epistle prefixed to Spenser's Shepherd's Calender, 1579: as thinking them fittest for the rustical rudeness of shepheards, either for that their rough sound would make his rimes more ragged, and rustical," &c. The modern editors of Spenser might here substitute the word rugged with just as much propriety as it has been substituted in

To frown upon the enrag'd Northumberland!
Let heaven kiss earth! Now let not nature's hand
Keep the wild flood confin'd! let order die !
And let this world no longer be a stage,
To feed contention in a lingering act;
But let one spirit of the first-born Cain
Reign in all bosoms, that, each heart being set
On bloody courses, the rude scene may end,
And darkness be the burier of the dead!

TRA. This strained passion' doth you wrong, my lord.

BARD. Sweet earl, divorce not wisdom from your honour.

the present passage, or in that in As You Like It: "My voice is rugged." See vol. vi. p. 396, n. 7.

Again, in The Rape of Lucrece :

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Thy secret pleasure turns to open shame,"Thy smoothing titles to a ragged name."

Again, in our poet's eighth Sonnet:

"Then let not Winter's ragged hand deface
"In thee thy summer."

Again, in the play before us:

"A ragged and fore-stall'd remission."

MALONE.

6 And DARKNESS be the burier of the dead!] The conclusion of this noble speech is extremely striking. There is no need to suppose it exactly philosophical; darkness, in poetry, may be absence of eyes, as well as privation of light. Yet we may remark, that by an ancient opinion it has been held, that if the human race, for whom the world was made, were extirpated, the whole system of sublunary nature would cease. JOHNSON.

A passage resembling this speech, but feeble in comparison, is found in The Double Marriage of Beaumont and Fletcher :

That we might fall,

"And in our ruins swallow up this kingdom,

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Nay the whole world, and make a second chaos."
BOSWELL.

7 This strained passion] This line, in the quarto, where alone it is found, is given to Umfrevile, who, as Mr. Steevens has observed, is spoken of in this very scene as absent. It was on this ground probably rejected by the player-editors. It is now, on the suggestion of Mr. Steevens, attributed to Travers, who is present, and yet (as that gentleman has remarked) “is made to say nothing on this interesting occasion." MALOne.