Anecdotes of Polite Literature ...G. Burnet, 1764 - Literature |
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Page 50
... and yet there are many writers in France who judge only from fuch , but without owning it . * Particularly in Mahomet and Semiramis See Gray's Inn Journal , vol . i . No. 41 . rat ; rat ; the meaning is fo plain that he could ( 50 )
... and yet there are many writers in France who judge only from fuch , but without owning it . * Particularly in Mahomet and Semiramis See Gray's Inn Journal , vol . i . No. 41 . rat ; rat ; the meaning is fo plain that he could ( 50 )
Page 82
... see the diftrefs of the piece wrought up to a great pitch . What can be more affecting than the fourth and fifth acts , particu larly the interview in the fourth , between Demetrius and Erixene , where the ima gines him falfe , and ...
... see the diftrefs of the piece wrought up to a great pitch . What can be more affecting than the fourth and fifth acts , particu larly the interview in the fourth , between Demetrius and Erixene , where the ima gines him falfe , and ...
Page 96
... see his revenge concluded in the most refolute and determinate man- ner ; but in Iago it is a piece of cunning contrivance , which concludes pitifully . It is highly neceffary in England , fo great is Shakespear's reputation , to be ...
... see his revenge concluded in the most refolute and determinate man- ner ; but in Iago it is a piece of cunning contrivance , which concludes pitifully . It is highly neceffary in England , fo great is Shakespear's reputation , to be ...
Page 109
... tranflated it : but only the three first scenes of that verfion were printed * . * See Supplement to the Nouvelles Literaires , for the 17th of October , 1716 , We The cry against modern tragedy has for fome years been ( 109 )
... tranflated it : but only the three first scenes of that verfion were printed * . * See Supplement to the Nouvelles Literaires , for the 17th of October , 1716 , We The cry against modern tragedy has for fome years been ( 109 )
Page 121
... see their mixed effects in every fcene : And Demetrius is of fo amiable a difpofition , that an audience must be naturally inclined to love him , and , for his fake , to dread the reftlefs turbulent fpirit of Perfeus . They both are ...
... see their mixed effects in every fcene : And Demetrius is of fo amiable a difpofition , that an audience must be naturally inclined to love him , and , for his fake , to dread the reftlefs turbulent fpirit of Perfeus . They both are ...
Common terms and phrases
abfurd action affecting againſt alfo almoft Alonzo alſo anfwer Arzaces audience Barbaroffa becauſe Carlos cataſtrophe Cato character compaffion compofed compofition Corneille Creon Criticifm death diſcover epifodes expreffed fable faid falfe fame fatire fays fcene fenti fentiments fhall fhews fhort fhould firſt fituation fome fometimes foul fpeaking fpectator fpeech French ftage ftrokes fubject fuch fuppofe furprize gedy genius greateſt Hamlet Henriade hiftory himſelf intereft juft Juliet king la Henriade laft language laſt lefs Leonora Macbeth manner ment moft Monf moſt muft murder muſt n'eft nature neceffary noble obferved occafion Othello paffages paffion pathetic perfon perfonages piece pity play pleaſure poet prefent Preferved prince of Condé profe Racine racter raiſed reafon refemblance refpect reprefentation reprefented Revenge rife Romeo Romeo and Juliet ſcene Semiramis Shakeſpear Sophocles ſpeak terror theatre thee thefe theſe thofe thoſe tion tragedy tranflation unities Voltaire whofe wrote Zanga Zara
Popular passages
Page 134 - That he might not beteem the winds of heaven Visit her face too roughly. Heaven and earth! Must I remember? why, she would hang on him, As if increase of appetite had grown By what it fed on; and yet, within a month, Let me not think on't: Frailty, thy name is woman!
Page 185 - Good heav'ns, is this, — is this the man who braves me? Who bids my age make way, drives me before him, To the world's ridge, and sweeps me off like rubbish?
Page 135 - Let me not think on't; frailty, thy name is woman A little month, or ere those shoes were old With which she...
Page 42 - James, in which this tragedy was written, many circumstances concurred to propagate and confirm this opinion. The king, who was much celebrated for his knowledge, had, before his arrival in England, not only examined in person a woman accused of witchcraft but had given a very formal account of the practices and...
Page 135 - ... uncle, My father's brother, but no more like my father Than I to Hercules: within a month, Ere yet the salt of most unrighteous tears Had left the flushing in her galled eyes, She married.
Page 40 - IN order to make a true estimate of the abilities and merit of a writer, it is always necessary to examine the genius of his age, and the opinions of his contemporaries.
Page 43 - Shakespeare might be easily allowed to found a play, especially since he has followed with great exactness such histories as were then thought true ; nor can it be doubted that the scenes of enchantment, however they may now be ridiculed, were both by himself and his audience thought awful and affecting.
Page 135 - But two months dead: nay, not so much, not two: So excellent a king; that was, to this, Hyperion to a...
Page 85 - I arrest you in the name of mercy, And dare compel your stay: Is then one look, One word, one moment, a last moment too, When I stand tottering on the brink of death, A cruel ignominious death, too much For one that loves like me ? A length of years You may devote to my blest rival's arms, I ask but one short moment.
Page 96 - Christian, thou mistak'st my character. Look on me. Who am I ? I know, thou say'st The Moor, a slave, an abject, beaten slave (Eternal woes to him that made me so!): But look again. Has six years cruel bondage...