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action admirable affecting againſt Alonzo alſo anſwer appear audience brought Carlos cataſtrophe Cato celebrated character Corneille critic death drawn entirely epiſodes eſt event excellent fable fall fate father firſt fome formed French genius give given greateſt Hamlet hear heart himſelf imagination imitation Juliet juſt king language laſt leave letter lively manner means ment mind moſt moving murder muſt nature never noble obſerved opinion Othello painted paſſion pathetic perſon perſonages picture piece pity play poet preſent prince principal proper Racine raiſed reader reaſon repreſentation requires reſpect Revenge riſe rules ſaid ſame ſays ſcene ſee ſentiments ſeveral Shakeſpear ſhe ſhould ſome ſpeak ſpectator ſpeech ſtage ſtrokes ſubject ſuch tells terror theatre thee theſe thing thoſe thought tion tragedy tragic true unities Voltaire whole writers wrote young Zanga
Page 134 - That he might not beteem the winds of heaven Visit her face too roughly. Heaven and earth! Must I remember? why, she would hang on him, As if increase of appetite had grown By what it fed on; and yet, within a month, Let me not think on't: Frailty, thy name is woman!
Page 135 - Let me not think on't; frailty, thy name is woman A little month, or ere those shoes were old With which she...
Page 42 - James, in which this tragedy was written, many circumstances concurred to propagate and confirm this opinion. The king, who was much celebrated for his knowledge, had, before his arrival in England, not only examined in person a woman accused of witchcraft but had given a very formal account of the practices and...
Page 135 - ... uncle, My father's brother, but no more like my father Than I to Hercules: within a month, Ere yet the salt of most unrighteous tears Had left the flushing in her galled eyes, She married.
Page 40 - IN order to make a true estimate of the abilities and merit of a writer, it is always necessary to examine the genius of his age, and the opinions of his contemporaries.
Page 43 - Shakespeare might be easily allowed to found a play, especially since he has followed with great exactness such histories as were then thought true ; nor can it be doubted that the scenes of enchantment, however they may now be ridiculed, were both by himself and his audience thought awful and affecting.
Page 135 - But two months dead: nay, not so much, not two: So excellent a king; that was, to this, Hyperion to a...
Page 85 - I arrest you in the name of mercy, And dare compel your stay: Is then one look, One word, one moment, a last moment too, When I stand tottering on the brink of death, A cruel ignominious death, too much For one that loves like me ? A length of years You may devote to my blest rival's arms, I ask but one short moment.