Principles of Visual AnthropologyPaul Hockings This edition contains 27 articles, written by scholars and filmmakers who are generally acknowledged as the international authorities in the field, and a new preface by the editor. The book covers ethnographic filming and its relations to the cinema and television; applications of filming to anthropological research, the uses of still photography, archives, and videotape; subdisciplinary applications in ethnography, archeology, bio-anthropology, museology and ethnohistory; and overcoming the funding problems of film production. |
Contents
| 11 | |
Some Recent Approaches to Anthropological Film | 77 |
Visual Anthropology and the Past | 161 |
Some Specialized Uses of Film and Videotape | 233 |
The Presentation of Anthropological Information | 361 |
The Future of Visual Anthropology | 479 |
Backmatter | 531 |
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Common terms and phrases
activity Africa American analysis anthro anthropological film archive audience Bateson behavior broadcast camera cameraman cantometrics Chronique d'un été cinema cinéma vérité communication concerning coverage culture dance Disappearing World documentary film documents Dogon editing educational equipment Eskimo ethno ethnographic film ethnographic filmmakers example field fieldwork film records Flaherty footage funding Hitlerjunge Quex human images important interaction interest interpretation Japanese Jean Rouch kinesics language Lomax Maasai MacDougall Marcel Griaule Margaret Mead material Mead method movement Museum Netsilik observation organization participants patterns Paul Hockings person photographs possible present problems produced programs reality relationships research film Richard Leacock sample scene scientific selected sequence Sequence filming shooting shot situation social society Sorenson sound structure style subjects tape techniques television Timothy Asch tion traditional University videotape records viewer village visual anthropology visual records York