Speaking ShakespeareThis text journeys to the heart of speaking and acting Shakespeare. Starting with the givens of speaking verse through to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others, this title unlocks some of the greatest challenges from a playwrite that any actor will encounter. With a mixture of anecdotes and clear instructions starting with the voice and moving on to major textual analysis, this text provides a guide to anyone who wants to start to understand how to act Shakespeare. |
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Page 230
... once Anne sees the body her sorrow and rage are set free . The grief once released purges her . By the end of the speech she has reached a place of peace and can move on . She can con- tinue her journey with the body . The form is open ...
... once Anne sees the body her sorrow and rage are set free . The grief once released purges her . By the end of the speech she has reached a place of peace and can move on . She can con- tinue her journey with the body . The form is open ...
Page 239
... once off their leads will not be called back until they have run their course , so war , once started , is impossible to contain , the blood flow unquenchable until it is spent . Antony sees and knows what Caesar's death will mean , and ...
... once off their leads will not be called back until they have run their course , so war , once started , is impossible to contain , the blood flow unquenchable until it is spent . Antony sees and knows what Caesar's death will mean , and ...
Page 260
... Once we accept this fact , the ' fop ' Edgar immediately becomes a more interesting young man . He has noticed in tremendous detail the suffering of those on the lowest rung of society . Once when I was teaching in southern India , some ...
... Once we accept this fact , the ' fop ' Edgar immediately becomes a more interesting young man . He has noticed in tremendous detail the suffering of those on the lowest rung of society . Once when I was teaching in southern India , some ...
Contents
Foundation Craft | 3 |
The Body | 15 |
The State of Readiness | 23 |
Copyright | |
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Common terms and phrases
actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona Edgar Edmund emotional energy exercise explore eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning Merchant of Venice mouth move murder muscles Oberon Olivia onomatopoeia Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee thou thought Titania tongue Tybalt understand Viola vocal voice vowels walk wife Winter's Tale word