The Literature/film Reader: Issues of AdaptationJames Michael Welsh, James M. Welsh, Peter Lev From examinations of Francis Ford Coppola's Apocalypse Now to Alfred Hitchcock's Vertigo, The Literature Film Reader: Issues of Adaptation covers a wide range of films adapted from other sources. The first section presents essays on the hows and whys of adaptation studies, and subsequent sections highlight films adapted from a variety of sources, including classic and popular literature, drama, biography, and memoir. The last section offers a new departure for adaptation studies, suggesting that films about history--often a separate category of film study--can be seen as adaptations of records of the past. The anthology concludes with speculations about the future of adaptation studies. Several essays provide detailed analyses of films, in some cases discussing more than one adaptation of a literary or dramatic source, such as The Manchurian Candidate, The Quiet American, and Romeo and Juliet. Other works examined include Moby Dick, The House of Mirth, Dracula, and Starship Troopers, demonstrating the breadth of material considered for this anthology. Although many of the essays appeared in Literature/Film Quarterly, more than half are original contributions. Chosen for their readability, these essays avoid theoretical jargon as much as possible. For this reason alone, this collection should be of interest to not only cinema scholars but to anyone interested in films and their source material. Ultimately, The Literature Film Reader: Issues of Adaptation provides an excellent overview of this critical aspect of film studies. |
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Page 93
... play in a number of ways in order to make the happy ending more acceptable ( 2002 ) . From one perspective , Buhler's take on Branagh appears to oppose those above who think Shakespeare's text needs ideologi- cal deconstruction . But ...
... play in a number of ways in order to make the happy ending more acceptable ( 2002 ) . From one perspective , Buhler's take on Branagh appears to oppose those above who think Shakespeare's text needs ideologi- cal deconstruction . But ...
Page 116
... play and that of the particular production's interaction with the audience's prior knowl- edge and expectations of the " original " play , or even of other productions of it . According to how intertextual exchange has directed or ...
... play and that of the particular production's interaction with the audience's prior knowl- edge and expectations of the " original " play , or even of other productions of it . According to how intertextual exchange has directed or ...
Page 132
... plays : " private notions about the play and about performed Shakespeare , no- tions that I might not even recognise until I find them denied " ( 1983 , 143 ) . I suggest that the very audacity , popularity , immediacy , and ...
... plays : " private notions about the play and about performed Shakespeare , no- tions that I might not even recognise until I find them denied " ( 1983 , 143 ) . I suggest that the very audacity , popularity , immediacy , and ...
Contents
It Wasnt Like That in the Book | 3 |
Purposes | 51 |
Imaging MobyDick in 1956 and 2001 | 65 |
Copyright | |
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The Literature/film Reader: Issues of Adaptation James Michael Welsh,James M. Welsh,Peter Lev Limited preview - 2007 |
Common terms and phrases
adaptation studies aesthetic Alamo American Apocalypse approach argues audience Branagh's camera Camille Claudel canonical character cinema classic close-up context course cultural literacy D'entre les morts Davies Davies's director Dracula Dwight English essays example fiction fidelity criticism film adaptation film studies film's filmmakers Flavières Fowler Francis Ford Coppola genre Green Berets Greene's Heart of Darkness Heinlein Hirsch Hitchcock Hollywood House of Mirth ideas intertextual James John John Milius Kurtz Leitch literary literature Louis Blues Luhrmann's Romeo Madeleine Manchurian Candidate Mankiewicz medium Michael Milius mise-en-scène Moby-Dick monomyth movie myth narrative narrator novel original Pintilie play plot political popular post-structuralist postmodern Pyle Quantrill readers reading Romanian Romeo and Juliet scene scholars screen screenplay screenwriter Selznick sense Shakespeare shot song source texts Stam Starship Troopers story television theory tion Toby traditional University Press Vietnam visual Willard writing York