Listening In: Radio and the American Imagination

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U of Minnesota Press, Nov 30, 2013 - History - 434 pages

Few inventions evoke such nostalgia, such deeply personal and vivid memories as radio—from Amos ’n’ Andy and Edward R. Murrow to Wolfman Jack and Howard Stern. Listening In is the first in-depth history of how radio culture and content have kneaded and expanded the American psyche.

But Listening In is more than a history. It is also a reconsideration of what listening to radio has done to American culture in the twentieth century and how it has brought a completely new auditory dimension to our lives. Susan Douglas explores how listening has altered our day-to-day experiences and our own generational identities, cultivating different modes of listening in different eras; how radio has shaped our views of race, gender roles, ethnic barriers, family dynamics, leadership, and the generation gap. With her trademark wit, Douglas has created an eminently readable cultural history of radio.

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Contents

Introduction
3
The Zen of Listening
22
The Ethereal World
40
Exploratory Listening in the 1920s
55
Tuning In to Jazz
83
Radio Comedy and Linguistic Slapstick
100
The Invention of the Audience
124
World War II and the Invention of Broadcast Journalism
161
The Kids Take Over Transistors DJs and Rock n Roll
219
The FM Revolution
256
Talk Talk
284
Why Ham Radio Matters
328
Is Listening Dead?
347
Notes
359
Index
391
Copyright

Playing Fields of the Mind
199

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Page 190 - You burned the city of London in our houses and we felt the flames that burned it. You laid the dead of London at our doors and we knew the dead were our dead — were all men's dead — were mankind's dead — and ours.
Page 91 - ... the power of censorship over the radio communications or signals transmitted by any radio station, and no regulation or condition shall be promulgated or fixed by the commission which shall interfere with the right of free speech by means of radio communication.
Page 243 - Born theoretically white, we are permitted to pass our childhood as imaginary Indians, our adolescence as imaginary Negroes, and only then are expected to settle down to being what we really are: white once more.
Page 324 - all the women are strong, all the men are goodlooking, and all the children are above average.
Page 95 - Jazz isn't music merely, it is a spirit that can express itself in almost anything. The true spirit of jazz is a joyous revolt from convention, custom, authority, boredom, even sorrow — from everything that would confine the soul of man and hinder its riding free on the air. The Negroes who invented it called their songs the "Blues," and they weren't capable of satire or deception.
Page 188 - The Japanese have attacked Pearl Harbor, Hawaii, by air. President Roosevelt has just announced.
Page 96 - ... without the interposition of the intellect; but if the process of civilization continues (will it? I am not so sure, nor entirely convinced that it should) the greatest art is likely to be that in which an uncorrupted sensibility is worked by a creative intelligence. So far in their music the negroes have given their response to the world with an exceptional naivete, a directness of expression which has interested our minds as well as touched our emotions; they have shown comparatively little...
Page 293 - Americans' escalating mistrust of a range of national institutions. "Trust in government," he reported in the late 1970s, "declined dramatically from almost 80 percent in the late 1950s to about 33 percent in 1976. Confidence in business fell from approximately a 70 percent level in the late '60s to about 1 5 percent today.
Page 76 - Here are hundreds of little towns set down in type so small that it can hardly be read. How unrelated they seem ! Then picture the tens of thousands of farmhouses on the prairies, in the valleys, along the rivers — houses that cannot be noted.
Page 184 - Do you think the United States should do everything possible to help England and France win the war, except go to war ourselves...

About the author (2013)

Susan J. Douglas is professor of communication studies at the University of Michigan, Ann Arbor, and author of Where the Girls Are: Growing Up Female with the Mass Media.

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