The Two Noble KinsmenNew Shakespere Society, 1876 - 107 pages |
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... true and constant loue between Rhomeo and Julietta ; from Painter's Palace of Pleasure , 1567 ; edited by P. A. Daniel , Esq . Mr Halliwell presented to every Member a copy of Mr A. H. Paget's " Shakespeare's Plays : a Chapter of Stage ...
... true and constant loue between Rhomeo and Julietta ; from Painter's Palace of Pleasure , 1567 ; edited by P. A. Daniel , Esq . Mr Halliwell presented to every Member a copy of Mr A. H. Paget's " Shakespeare's Plays : a Chapter of Stage ...
Page v
... true critic of our great poet , and of the distinguisht Professor of Logic , Rhetoric , and Metaphysics , who wrote this treatise , that at once delights and informs every one who reads it . No wonder it carrid away and convinct even ...
... true critic of our great poet , and of the distinguisht Professor of Logic , Rhetoric , and Metaphysics , who wrote this treatise , that at once delights and informs every one who reads it . No wonder it carrid away and convinct even ...
Page xii
... true and impressive ( 94 ) ; he delineated both its intellect and passion ( 99 ) . His morality ( 101 ) ; his representations of evil ( 104 ) . Conclusion . Summary of the argument as to plot , scenic arrange- ments , and execution ...
... true and impressive ( 94 ) ; he delineated both its intellect and passion ( 99 ) . His morality ( 101 ) ; his representations of evil ( 104 ) . Conclusion . Summary of the argument as to plot , scenic arrange- ments , and execution ...
Page 3
... true that a complete proof of a work having been actually written by a particular person , destroys any contrary ... true ground on which my cause must be contested ; but it was not neces- the true test for sary to follow them out to ...
... true that a complete proof of a work having been actually written by a particular person , destroys any contrary ... true ground on which my cause must be contested ; but it was not neces- the true test for sary to follow them out to ...
Page 10
... true that internal similarities form almost a valueless test when applied to inferior writers ; because in them the distinctive marks are too weak to be easily traced . But , in the first place , great authors have in their very ...
... true that internal similarities form almost a valueless test when applied to inferior writers ; because in them the distinctive marks are too weak to be easily traced . But , in the first place , great authors have in their very ...
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Common terms and phrases
action admirable allusions Arcite Arcite's argument Beaumont and Fletcher beauty character characteristic Chaucer chivalrous classical conception dialogue doubt drama edition effect Emilia evil expression external F. J. Furnivall fancy favour feeling Folio Furnivall give Hamlet Henry Hickson Hippolita human imagery images imagination imitation instance internal evidence JOHN HILL BURTON Jonson Juliet knights lady Lear less literature Littledale lofty Macbeth Massinger mental Midsummer Night's Dream mind moral nature never Noble Kinsmen original Othello Oxlip Palamon passages passion play plot poem poet poet's poetical art poetical faculty poetry present principles Prof Professor qualities Quarto Queen reason reflection representation romantic scene Shak Shakspeare's authorship Shakspere Society Shakspere's shew solemn Spalding Spalding's spirit story strength style thee Theseus thou thought tion tragic Troilus and Cressida true truth underplot versification Weber whole words writers written
Popular passages
Page 111 - Oft breaking down the pales and forts of reason, Or by some habit that too much o'er-leavens The form of plausive manners ; that these men, Carrying, I say, the stamp of one defect, Being nature's livery, or fortune's star, Their virtues else, be they as pure as grace, As infinite as man may undergo, Shall in the general censure take corruption From that particular fault : the dram of eale Doth all the noble substance of a doubt To his own scandal.
Page 110 - Whose horrid image doth unfix my hair, And make my seated heart knock at my ribs, Against the use of nature ? Present fears Are less than horrible imaginings : My thought, whose murder yet is but fantastical, Shakes so my single state of man, that function Is smother'd in surmise; and nothing is, But what is not.
Page 111 - That for some vicious mole of nature in them, As, in their birth— wherein they are not guilty, Since nature cannot choose his origin— By the o'ergrowth of some complexion, Oft breaking down the pales and forts of reason...
Page 73 - When in the chronicle of wasted time I see descriptions of the fairest wights, And beauty making beautiful old rhyme In praise of ladies dead and lovely knights, Then, in the blazon of sweet beauty's best, Of hand, of foot, of lip, of eye, of brow, I see their antique pen would have express'd Even such a beauty as you master now.
Page 76 - And my poor fool is hang'd ! No, no, no life ! Why should a dog, a horse, a rat, have life, And thou no breath at all ? Thou 'It come no more, Never, never, never, never, never ! Pray you, undo this button : thank you, sir. Do you see this ? Look on her, look, her lips, Look there, look there ! [Dies.
Page 37 - Loaden with kisses, arm'd with thousand Cupids, Shall never clasp our necks ; no issue know us; No figures of ourselves shall we e'er see, To glad our age, and like young eagles teach them Boldly to gaze against bright arms, and say, Remember what your fathers were, and conquer!
Page 34 - The flower that I would pluck And put between my breasts — O then but beginning To swell about the blossom — she would long Till she had such another, and commit it To the like innocent cradle, where, phoenix-like, They died in perfume.
Page 24 - I am in labour To push your name, your ancient love, our kindred, Out of my memory ; and i' the self-same place To seat something I would confound : so hoist we The sails, that must these vessels port even where The heavenly limiter pleases.
Page 34 - The one of th' other may be said to water Their intertangled roots of love ; but I, And she I sigh and spoke of, were things innocent, Lov'd for we did, and like the elements That know not what nor why, yet do effect Rare issues by their operance, our souls Did so to one another : what she...
Page 28 - Maiden pinks of odour faint, Daisies smell-less, yet most quaint, And sweet thyme true; Primrose, first-born child of Ver, Merry spring-time's harbinger, With her bells dim; Oxlips in their cradles growing, Marigolds on death-beds blowing, Lark-heels trim; All, dear Nature's children sweet.