Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 79Gale Research Company, 1984 |
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Page 172
... Wonder of the New World , we can discern an investment in wonder among those whom we might have expected to be more attuned to the political dimen- sions of literature . ' Of course , materialist criticism is entitled to examine the ...
... Wonder of the New World , we can discern an investment in wonder among those whom we might have expected to be more attuned to the political dimen- sions of literature . ' Of course , materialist criticism is entitled to examine the ...
Page 173
... wonder , let us begin by considering two exemplary views - Northrop Frye's idea of The Tempest as a play where wonder leads to self - knowledge and Greenblatt's troubled but similar account of the effects of wonder . Of course , new ...
... wonder , let us begin by considering two exemplary views - Northrop Frye's idea of The Tempest as a play where wonder leads to self - knowledge and Greenblatt's troubled but similar account of the effects of wonder . Of course , new ...
Page 236
... wonder in Shakespeare's tragedies see J. V. Cunningham , Woe or Wonder : The Emotional Effect of Shake- spearean Tragedy ( Denver : Alan Swallow , 1951 ) . For the importance of wonder in the last plays see Joan Hartwig , Shakespeare's ...
... wonder in Shakespeare's tragedies see J. V. Cunningham , Woe or Wonder : The Emotional Effect of Shake- spearean Tragedy ( Denver : Alan Swallow , 1951 ) . For the importance of wonder in the last plays see Joan Hartwig , Shakespeare's ...
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York