Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 79Gale Research Company, 1984 |
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Page 126
... stories about his past exploits . The predominance of narrative in Othello , that is " the presence of a story and a storyteller " ( Scholes & Kellog 4 ) , distinguishes the play and , in turn , has prompted much critical dispute ...
... stories about his past exploits . The predominance of narrative in Othello , that is " the presence of a story and a storyteller " ( Scholes & Kellog 4 ) , distinguishes the play and , in turn , has prompted much critical dispute ...
Page 131
... story will be recreated by Lodovico , therefore , in the only format possible for a Moor : Lodovico's story will be a Venetian narrative in and to which Othello is subject . een apparent to the audience , though not to him , from the ...
... story will be recreated by Lodovico , therefore , in the only format possible for a Moor : Lodovico's story will be a Venetian narrative in and to which Othello is subject . een apparent to the audience , though not to him , from the ...
Page 257
... story , also sounds like a generalized emblem of hardship , and the Queen's " death " on it a universal experience . The story takes place in a perfor- mative present , dissolving Sidney's opposition between here and elsewhere , now and ...
... story , also sounds like a generalized emblem of hardship , and the Queen's " death " on it a universal experience . The story takes place in a perfor- mative present , dissolving Sidney's opposition between here and elsewhere , now and ...
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York