Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 79Gale Research Company, 1984 |
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Page 63
... stage section upon which Henry's army battled with the French , at claustrophobically close quarters as if on the Raft of the Medusa , resembled a huge memo- rial stone . On it was carved the dates 1387-1422 : the enactment of history ...
... stage section upon which Henry's army battled with the French , at claustrophobically close quarters as if on the Raft of the Medusa , resembled a huge memo- rial stone . On it was carved the dates 1387-1422 : the enactment of history ...
Page 71
... stage and out into the audience for him and then decide to dress up the straw soldier at center stage and have one of them pop his head up above it in an impersonation of the archbishop . Similar expediencies follow . The more or less ...
... stage and out into the audience for him and then decide to dress up the straw soldier at center stage and have one of them pop his head up above it in an impersonation of the archbishop . Similar expediencies follow . The more or less ...
Page 276
... Stage Images and Traditions : Shakespeare to Ford ( Cambridge , 1987 ) , p . 81 . 29. The parallel with Merchant is noted by Lomax , Stage Images , pp . 47-8 , who also sees allusion to Pandora's box . 30. Anne Barton , The Names of ...
... Stage Images and Traditions : Shakespeare to Ford ( Cambridge , 1987 ) , p . 81 . 29. The parallel with Merchant is noted by Lomax , Stage Images , pp . 47-8 , who also sees allusion to Pandora's box . 30. Anne Barton , The Names of ...
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York