Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 79Gale Research Company, 1984 |
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Page 84
... represents . The dreary truth of the emergence of the modern state and its consequences for man can only be treated in the tones of restraint that sorrow and utter hopelessness engender . Shakespeare's apprehensions concerning the new ...
... represents . The dreary truth of the emergence of the modern state and its consequences for man can only be treated in the tones of restraint that sorrow and utter hopelessness engender . Shakespeare's apprehensions concerning the new ...
Page 91
... represented as a cyclic alternation of unity and internecine discord in which typical sequences of behavior repeat ... represents them as ironic inversions of the comedic reconciliation of brothers . 9924 It is Geoffrey of Monmouth in ...
... represented as a cyclic alternation of unity and internecine discord in which typical sequences of behavior repeat ... represents them as ironic inversions of the comedic reconciliation of brothers . 9924 It is Geoffrey of Monmouth in ...
Page 302
... represents language , it also represents the genre of Pericles . The brace is found by fishermen , and romance is connected with folk tradi- tions rather than sophisticated literary practices . The brace is an object from the past that ...
... represents language , it also represents the genre of Pericles . The brace is found by fishermen , and romance is connected with folk tradi- tions rather than sophisticated literary practices . The brace is an object from the past that ...
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York