Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 79Gale Research Company, 1984 |
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Page 87
... means limited to them ; it reap- pears , for instance , in several recent discussions of Henry V which divide the critics into those who admire Henry and those who dislike him , as if that were the crucial distinction which would ...
... means limited to them ; it reap- pears , for instance , in several recent discussions of Henry V which divide the critics into those who admire Henry and those who dislike him , as if that were the crucial distinction which would ...
Page 103
... means to an end - a way of unifying the country and extending England's boundaries - but the means is often sordid and always costly . Because Henry revives an old , somewhat tenuous claim to the throne of France , the war is not ...
... means to an end - a way of unifying the country and extending England's boundaries - but the means is often sordid and always costly . Because Henry revives an old , somewhat tenuous claim to the throne of France , the war is not ...
Page 154
... means to male power - a means for men to safeguard ( male ) society from oversexed and overactive women , to manipulate , appropriate , traffic in , and otherwise dominate women . Yet in The Duchess of Malfi and plays emerging in the ...
... means to male power - a means for men to safeguard ( male ) society from oversexed and overactive women , to manipulate , appropriate , traffic in , and otherwise dominate women . Yet in The Duchess of Malfi and plays emerging in the ...
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York