Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 79Gale Research Company, 1984 |
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Page 53
... hand " ( 3.3.34 ) as the mirror in which he sees himself : “ I am a soldier , / A name that in my thoughts becomes me best " ( 5.6 ) . The play's foregrounding of the clash between Henry's image of himself at Harfleur releasing " the ...
... hand " ( 3.3.34 ) as the mirror in which he sees himself : “ I am a soldier , / A name that in my thoughts becomes me best " ( 5.6 ) . The play's foregrounding of the clash between Henry's image of himself at Harfleur releasing " the ...
Page 103
... hand can he turn the French into the initiators ; the campaign is more a political op- portunity for him to prove his prowess as a leader and a conqueror . Nevertheless , Henry is not depicted as an aggressive warmonger . It is ...
... hand can he turn the French into the initiators ; the campaign is more a political op- portunity for him to prove his prowess as a leader and a conqueror . Nevertheless , Henry is not depicted as an aggressive warmonger . It is ...
Page 201
... hand : his hand did quake , And tremble like a leafe of Aspin greene , And troubled bloud through his pale face was scene To come , and goe with tydings from the hart , As it a running messenger had beene . At last resolved to worke his ...
... hand : his hand did quake , And tremble like a leafe of Aspin greene , And troubled bloud through his pale face was scene To come , and goe with tydings from the hart , As it a running messenger had beene . At last resolved to worke his ...
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York