Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 79Gale Research Company, 1984 |
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Page 96
... course , at odds with the audience's awareness of a continuing history of ethnic rebellion . For as the play elsewhere indicates , in 1599 the English audience awaits news of the subjec- tion of Ireland ( V.pro.29-34 ) . Thus , ethnic ...
... course , at odds with the audience's awareness of a continuing history of ethnic rebellion . For as the play elsewhere indicates , in 1599 the English audience awaits news of the subjec- tion of Ireland ( V.pro.29-34 ) . Thus , ethnic ...
Page 297
... course varied depending on the closeness of the parent and child , the child's age , and so on . But there is a clear and present danger in the current critical climate that the circus animals of cultural history will distract us from ...
... course varied depending on the closeness of the parent and child , the child's age , and so on . But there is a clear and present danger in the current critical climate that the circus animals of cultural history will distract us from ...
Page 321
... course , she recounts the story of Wat . But if Venus is a narrative poet , she is also a lyric one : her delivery of an elegy on Adonis is the appropriate culmination of her recurrent tendency to adopt the conventions of Elizabethan ...
... course , she recounts the story of Wat . But if Venus is a narrative poet , she is also a lyric one : her delivery of an elegy on Adonis is the appropriate culmination of her recurrent tendency to adopt the conventions of Elizabethan ...
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Common terms and phrases
action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York