Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 79Gale Research Company, 1984 |
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Page 28
... Holinshed , in Bullough , Narrative and Dramatic Sources , 280-88 ; Famous Victories , in Bullough , Narrative and Dramatic Sources 1.480 , 313 ; 11.550-51,570-72 , 315 ; Bullough , Narrative and Dramatic Sources , 354 ff ; 1 Henry IV ...
... Holinshed , in Bullough , Narrative and Dramatic Sources , 280-88 ; Famous Victories , in Bullough , Narrative and Dramatic Sources 1.480 , 313 ; 11.550-51,570-72 , 315 ; Bullough , Narrative and Dramatic Sources , 354 ff ; 1 Henry IV ...
Page 29
... Holinshed reports that before the battle at Agin- court , the French built a chariot at the site , to be used to parade Henry through French streets , " little weening ( God wot ) how soone their brags should be blowne awaie ...
... Holinshed reports that before the battle at Agin- court , the French built a chariot at the site , to be used to parade Henry through French streets , " little weening ( God wot ) how soone their brags should be blowne awaie ...
Page 101
... Holinshed , Holinshed's Chronicles of England , Scotland , and Ireland , 6 vols . ( London , 1807 ) , 3:72 . 61. T. B. Pugh , Henry V and the Southampton Plot of 1415 ( London : Alan Sutton , 1988 ) , 156 , 109 . 62. Pugh , 97-102 . 63 ...
... Holinshed , Holinshed's Chronicles of England , Scotland , and Ireland , 6 vols . ( London , 1807 ) , 3:72 . 61. T. B. Pugh , Henry V and the Southampton Plot of 1415 ( London : Alan Sutton , 1988 ) , 156 , 109 . 62. Pugh , 97-102 . 63 ...
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York