Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 79Gale Research Company, 1984 |
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Page 218
... Gower - a fictional recreation of the fourteenth - century English poet John Gower - who frequently addresses the audience and comments on the story . Walter F. Eggers ( 1975 ) identifies Gower as an " authorial presenter " who serves ...
... Gower - a fictional recreation of the fourteenth - century English poet John Gower - who frequently addresses the audience and comments on the story . Walter F. Eggers ( 1975 ) identifies Gower as an " authorial presenter " who serves ...
Page 237
... Gower . In the vividness of his characteriza- tion , Gower is one of a kind , but as an " authorial presenter " he is also the epitome of a well - established conventional role . The convention of the authorial presenter has not ...
... Gower . In the vividness of his characteriza- tion , Gower is one of a kind , but as an " authorial presenter " he is also the epitome of a well - established conventional role . The convention of the authorial presenter has not ...
Page 270
... Gower and Shakespeare , Marina's would - be killers construct a sham tomb for her , which Pericles is shown , so that her reappearance must indeed seem like a resurrection to him : and , of course , for Gower's readers as for Shake ...
... Gower and Shakespeare , Marina's would - be killers construct a sham tomb for her , which Pericles is shown , so that her reappearance must indeed seem like a resurrection to him : and , of course , for Gower's readers as for Shake ...
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Common terms and phrases
action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York