Aum. Where is the duke my father with his power? K. Rich. No matter where. Of comfort no man speak; Let's talk of graves, of worms, and epitaphs; 145 Make dust our paper, and with rainy eyes 150 155 160 To monarchize, be feared, and kill with looks; 165 Were brass impregnable; and, humored thus, Bores through his castle walls, and farewell king! 170 Cover your heads, and mock not flesh and blood With solemn reverence; throw away respect, Tradition, form, and ceremonious duty, For you have but mistook me all this while : I live with bread like you, feel want, taste grief, 175 Need friends :-subjected thus, How can you say to me—I am a king?................ Aum. My father hath a power; inquire of him, And learn to make a body of a limb. K. Rich. Thou chid'st me well-proud Bolingbroke, I come An easy task it is to win our own.... 190 Scroop. Your uncle York hath joined with Bolingbroke... NOTES.-143. Duke, the Duke of York. 162. Antic sits a supposed reference to an old woodcut representing a king crowned and seated on his throne, and Death ensconced within the crown. 166. Self and vain conceit, selfconceit and vain conceit; so in Macbeth, v. 8, "By self and violent hands took off her life.' 168. Humored. This takes up and carries forward the description in 163, "Scoffing his state," etc. Beshrew thee, cousin, which leadest me forth 205 What comfort have we now? By Heaven, I'll hate him everlastingly ACT III., SCENE 4.-Langley. The Duke of York's Garden. Enter the QUEEN and two Ladies. Queen. But stay, here come the gardeners : Enter a Gardener and two Servants. Gard. Go, bind thou up yon dangling apricocks, Cut off the heads of too fast-growing sprays, 1 Serv. Why should we, in the compass of a pale, Gard. Hold thy peace : He that hath suffered this disordered spring The weeds that his broad-spreading leaves did shelter, 50 Are plucked up, root and all, by Bolingbroke; They are; and Bolingbroke NOTES.-204. Beshrew, from shrewen, to curse-addressed to the Duke of Aumerle; which, originally of all genders, and still so in questions. 29. Apricocks. This early form came to us from the Portuguese albricoque; the later form apricot from the French abricot. Hath seized the wasteful king. Oh, what pity is it, 55 60 65 1 Serv. What, think you then the king shall be deposed? 'Tis doubt he will be: letters came last night 70 See here the skill and judgment of our poet in giving reality and individual life, by the introduction of accidents in his historic plays, and thereby making them dramas and not histories. How beautiful an islet of repose a melancholy repose, indeed— is this scene with the gardener and his servant! and how truly affecting and realizing is the incident of the very horse Barbary in the scene with the groom in the last act! (Scene 5.) Groom. I was a poor groom of thy stable, king, Oh, how it yearned my heart, when I beheld 75 80 I would once more remark upon the exalted idea of the only true loyalty developed in this noble and impressive play. We have neither the rants of Beaumont and Fletcher nor the sneers of Massinger. The vast importance of the personal character of the sovereign is distinctly enounced, whilst, at the same time, the genuine sanctity which surrounds him is attributed to, and grounded on, the position in which he stands as the convergence and exponent of the life and power of the state. Lectures on Shakspeare. [These lines were written late one evening in September 1804, after passing Deadman's Isle (Magdalen Islands). Moir (Delta) regards this poem and the Canadian boat-song as among the best of Moore's earlier poems, and as unsurpassed by any of his later efforts.] See beneath yon cloud so dark, Fast gliding along a gloomy bark? Her sails are full, though the wind is still, And there blows not a breath her sails to fill! Say what doth that vessel of darkness bear? There lieth a wreck on the dismal shore Where, under the moon, upon mounts of frost, Yon shadowy bark hath been to that wreck, To Deadman's Isle, in the eye of the blast, And the hand that steers is not of this world! Oh! hurry thee on-oh! hurry thee on, THE BRITISH CONSTITUTIONAL SYSTEM. HON. THOMAS D'ARCY M'GEE (1825-1868). I take the British constitutional system as the great original system upon which are founded the institutions of all free States. I take it as one of a family born of Christian civilization. I take it as combining in itself permanence and liberty; liberty in its best form-not in theory alone, but in practice ; liberty which is enjoyed in fact by all the people of Canada, of every origin and of every creed. Can any one pretend to say that a chapter of accidents which we can trace for eight hundred years, and which some antiquaries may even trace for a much longer period, will account for the permanence of these institutions? If you say that they have not in themselves the elements of permanence which preserve the foundations of a free State from one generation to another, how do you account for their continued and prosperous existence? How do you account for it, that of all the ancient constitutions of Europe this alone remains; and remains not only with all its ancient outlines, but with great modern improvements-improvements, however, made in harmony with the design of its first architects? Here is a form of government that has lasted, with modifications to suit the spirit of successive ages, for a period of eight hundred years. How is it that I account for the permanence of its institutions? By asserting that, in their outline plan, they combine all the good of material importance that has ever been discovered. The wisdom of the middle ages, and the political writers of the present time, have all laid down one maxim of government, That no unmixed form of government can satisfy the wants of a free and intelligent people: that an unmixed |