Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
From inside the book
Results 1-3 of 71
Page 10
... writing and of print as forces more powerful than the spoken word , for the truth , of course , is that the written ... writers of us all , and we will better understand the written word . Nicholas Murray Butler had this in mind when he ...
... writing and of print as forces more powerful than the spoken word , for the truth , of course , is that the written ... writers of us all , and we will better understand the written word . Nicholas Murray Butler had this in mind when he ...
Page 61
... writing , and it is quite another to figure out how this tool was used by a successful writer so as to read his composition better to others . In this chapter you are going to be reminded of much that you already know , but it will be ...
... writing , and it is quite another to figure out how this tool was used by a successful writer so as to read his composition better to others . In this chapter you are going to be reminded of much that you already know , but it will be ...
Page 77
... writer may bury his topic sentence in the body of the para- graph , or he may omit it altogether . If on scanning a piece of writing you discern that the writer has used a topic sentence to introduce each paragraph , you can run through ...
... writer may bury his topic sentence in the body of the para- graph , or he may omit it altogether . If on scanning a piece of writing you discern that the writer has used a topic sentence to introduce each paragraph , you can run through ...
Other editions - View all
Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York