Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 49
... whole meaning of the poem and that the reader goes through the poem simply to get to the end for the sake of the ... whole game than the central thought is the whole meaning of a poem.25 25 Norman C. Stageberg and Wallace L. Anderson ...
... whole meaning of the poem and that the reader goes through the poem simply to get to the end for the sake of the ... whole game than the central thought is the whole meaning of a poem.25 25 Norman C. Stageberg and Wallace L. Anderson ...
Page 63
... whole is composed of parts , and the effect of the whole is built up from the sum of the parts . What relation do these parts bear to one another ? We do not simply absorb the words from the page one by one , individual and distinct ...
... whole is composed of parts , and the effect of the whole is built up from the sum of the parts . What relation do these parts bear to one another ? We do not simply absorb the words from the page one by one , individual and distinct ...
Page 380
... whole days together ! And am like to love three more , If it prove fair weather . Time shall moult away his wings Ere he shall discover In the whole wide world again Such a constant lover . But the spite on't is , no praise Is due at ...
... whole days together ! And am like to love three more , If it prove fair weather . Time shall moult away his wings Ere he shall discover In the whole wide world again Such a constant lover . But the spite on't is , no praise Is due at ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York