Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
From inside the book
Results 1-3 of 96
Page 122
... Voice and Speech1 1 I. VOICE A. Breathing B. Phonation C. Resonance D. Quality II . SPEECH A. Vowels B. Consonants C. Articulatory Problems 1. Muscular Movement a . The Tongue b . The Lips c . The Jaw 2 ... Voice is the 122 VOICE AND SPEECH,
... Voice and Speech1 1 I. VOICE A. Breathing B. Phonation C. Resonance D. Quality II . SPEECH A. Vowels B. Consonants C. Articulatory Problems 1. Muscular Movement a . The Tongue b . The Lips c . The Jaw 2 ... Voice is the 122 VOICE AND SPEECH,
Page 144
... voice " told him he could improve his radio delivery and still speak like a human being by the simple expedient of whispering ten minutes a day . Swing whispered hoarsely and industriously every day for weeks . He made recordings of his ...
... voice " told him he could improve his radio delivery and still speak like a human being by the simple expedient of whispering ten minutes a day . Swing whispered hoarsely and industriously every day for weeks . He made recordings of his ...
Page 236
... voice ? 4. Is the melody of your speech that of reading or that of talking ? 5. Is the modulation meaningful ? 6. Is ... voice relaxed ? Quality 2. Does its quality reflect the mood of the material ? 3. Is your voice breathy , guttural ...
... voice ? 4. Is the melody of your speech that of reading or that of talking ? 5. Is the modulation meaningful ? 6. Is ... voice relaxed ? Quality 2. Does its quality reflect the mood of the material ? 3. Is your voice breathy , guttural ...
Other editions - View all
Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York