Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 125
... vocal cords are relaxed and the glottis is freely open ; for voice production , however , the vocal cords stretch moving closer together until their inner edges touch ; whereupon they are thrown into vibration by the pressure of the ...
... vocal cords are relaxed and the glottis is freely open ; for voice production , however , the vocal cords stretch moving closer together until their inner edges touch ; whereupon they are thrown into vibration by the pressure of the ...
Page 126
... vocal folds vibrate ? 3 Research is still being carried on to determine this . Do the folds vibrate alternately , in segments , together ? How is the column of air set in motion as it passes the vocal lips ? The sound waves , however ...
... vocal folds vibrate ? 3 Research is still being carried on to determine this . Do the folds vibrate alternately , in segments , together ? How is the column of air set in motion as it passes the vocal lips ? The sound waves , however ...
Page 156
... vocal tones could be reproduced on a scale , perhaps in the graphic form illustrated below ( see p . 157 ) . But the vocal tones of no two persons are the same . Locate your own tones on the chart . 2. Steps and Slides In these lines ...
... vocal tones could be reproduced on a scale , perhaps in the graphic form illustrated below ( see p . 157 ) . But the vocal tones of no two persons are the same . Locate your own tones on the chart . 2. Steps and Slides In these lines ...
Contents
A In Business and Professions A Individually | 7 |
PRINCIPLES | 15 |
IMPORTANCE | 16 |
Copyright | |
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
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accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York