Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 131
... tongue . As for the remaining consonants shown , the tongue blade is responsible for four , the back of the tongue for three , and the pharyngeal cavity for one . CHART OF ENGLISH CONSONANTS ARRANGED ACCORDING TO PLACE AND MANNER OF ...
... tongue . As for the remaining consonants shown , the tongue blade is responsible for four , the back of the tongue for three , and the pharyngeal cavity for one . CHART OF ENGLISH CONSONANTS ARRANGED ACCORDING TO PLACE AND MANNER OF ...
Page 133
... tongue is the only instrument growing sharper with constant use . All those who speak and read aloud a great deal can well afford to pay attention to the exercise of the tongue , in order to make its movements as accurate as possible ...
... tongue is the only instrument growing sharper with constant use . All those who speak and read aloud a great deal can well afford to pay attention to the exercise of the tongue , in order to make its movements as accurate as possible ...
Page 134
... tongue . 6. Make the tongue stand on each of its sides , in turn . b . The Lips . If you have ever examined with atten- tion pictures of speakers or actors of renown , you have probably noticed the lines running from the corners of the ...
... tongue . 6. Make the tongue stand on each of its sides , in turn . b . The Lips . If you have ever examined with atten- tion pictures of speakers or actors of renown , you have probably noticed the lines running from the corners of the ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York