Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 224
... Television Reading I. You AND MASS MEDIA OF COMMUNICATION II . RELEASING THE AUTHOR III . MIKE AND CAMERA FRIGHT IV . FACING THE MICROPHONE V. FACING THE CAMERA VI . YOU'RE ON THE AIR VII . SOME PRACTICAL SUGGESTIONS VIII . USE OF ...
... Television Reading I. You AND MASS MEDIA OF COMMUNICATION II . RELEASING THE AUTHOR III . MIKE AND CAMERA FRIGHT IV . FACING THE MICROPHONE V. FACING THE CAMERA VI . YOU'RE ON THE AIR VII . SOME PRACTICAL SUGGESTIONS VIII . USE OF ...
Page 231
... television are full of meaning : " Television is the most all - encom- passing of all the varied forms of entertainment . It is somewhat doubtful , in fact , whether certain aspects of television should be classified as entertainment at ...
... television are full of meaning : " Television is the most all - encom- passing of all the varied forms of entertainment . It is somewhat doubtful , in fact , whether certain aspects of television should be classified as entertainment at ...
Page 488
... television , see Radio and television reading radio and television field , suggested , 455 relationships , diagram , 54 skill in , 150-51 speaking , acting and , 52-53 to audience , 15-16 Realism , 22 Recessional , The ( RUDYARD KIPLING ) ...
... television , see Radio and television reading radio and television field , suggested , 455 relationships , diagram , 54 skill in , 150-51 speaking , acting and , 52-53 to audience , 15-16 Realism , 22 Recessional , The ( RUDYARD KIPLING ) ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York