Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 50
... Speaker I. NATURALNESS VS. TRAINING II . THE " BE NATURAL " CONCEPT III . SPEAKING , Reading , and ACT- ING IV . PROVINCE OF READING V. DIAGRAM OF RELATIONSHIPS I. NATURALNESS VS. TRAINING VI . RELATION TO AUDIENCE A. Public Speaking ...
... Speaker I. NATURALNESS VS. TRAINING II . THE " BE NATURAL " CONCEPT III . SPEAKING , Reading , and ACT- ING IV . PROVINCE OF READING V. DIAGRAM OF RELATIONSHIPS I. NATURALNESS VS. TRAINING VI . RELATION TO AUDIENCE A. Public Speaking ...
Page 53
... speaker . Certainly , such speaking belongs squarely under the caption , " Public Speak- ing . " Here , too , we would be inclined to place declamation . We use the word declamation to designate a memorized rendition of an address or ...
... speaker . Certainly , such speaking belongs squarely under the caption , " Public Speak- ing . " Here , too , we would be inclined to place declamation . We use the word declamation to designate a memorized rendition of an address or ...
Page 55
... speaker and audience . It is : " Ladies and Gentlemen , I am going to talk to you today about The speaker keeps his eyes on the audience , he talks with the audience . At the opposite extreme from the speaker is the actor ...
... speaker and audience . It is : " Ladies and Gentlemen , I am going to talk to you today about The speaker keeps his eyes on the audience , he talks with the audience . At the opposite extreme from the speaker is the actor ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York