Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 115
... speak the languages of men and even of angels , but have no love , I am only a noisy gong or a clashing cymbal . 8. Love never dieth out . If there is inspired preaching , it will pass away . If there is ecstatic speaking , it will ...
... speak the languages of men and even of angels , but have no love , I am only a noisy gong or a clashing cymbal . 8. Love never dieth out . If there is inspired preaching , it will pass away . If there is ecstatic speaking , it will ...
Page 144
... speaking like a man . Dur- ing 1934 and 1935 Columbia let him speak like a man , analyzing foreign affairs , but his appearances were infrequent and he was poorly paid , Finally , a vice president decreed that he would have to talk like ...
... speaking like a man . Dur- ing 1934 and 1935 Columbia let him speak like a man , analyzing foreign affairs , but his appearances were infrequent and he was poorly paid , Finally , a vice president decreed that he would have to talk like ...
Page 236
... speak hurriedly and nervously - with nervous haste ? 4. Do you use pauses to bring out the thought ? 5. Do you speak spontaneously , as if you were ad - libbing ? 6. Do you speak as if you were speaking to someone ? 7. Do you put ...
... speak hurriedly and nervously - with nervous haste ? 4. Do you use pauses to bring out the thought ? 5. Do you speak spontaneously , as if you were ad - libbing ? 6. Do you speak as if you were speaking to someone ? 7. Do you put ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York