Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 32
... Rhythm A part of our response to poetry is our enjoyment of its rhythm , the swing of it , that which helps to bring out its melody and music . All good speech is rhythmical , good prose has rhythm , but it is in poetry that we find it ...
... Rhythm A part of our response to poetry is our enjoyment of its rhythm , the swing of it , that which helps to bring out its melody and music . All good speech is rhythmical , good prose has rhythm , but it is in poetry that we find it ...
Page 114
... rhythms of orchestral music , so one has to be trained to hear and to reproduce the in- tricate rhythms of good prose and poetry . A magnificent example of prose rhythm is to be found in the Authorized or King James Version of the ...
... rhythms of orchestral music , so one has to be trained to hear and to reproduce the in- tricate rhythms of good prose and poetry . A magnificent example of prose rhythm is to be found in the Authorized or King James Version of the ...
Page 281
... rhythm is like the spider alert to repair every rent in the symmetry of the web . Accent rhythm is the web itself . With due apologies to Keats , let us rewrite his line , substituting short syllables for his long ones . " Much have I ...
... rhythm is like the spider alert to repair every rent in the symmetry of the web . Accent rhythm is the web itself . With due apologies to Keats , let us rewrite his line , substituting short syllables for his long ones . " Much have I ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York